An edited volume of critical essays reassessing the plays and performance work produced by the Beat generation of writers
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Deborah R. Geis is Associate Professor of English at DePauw University in Greencastle, Indiana, USA, where she specializes in 20th and 21st-century American literature and drama. She is the author ofPostmodern Theatric(k)s: Monologue in Contemporary American Drama and of Suzan-Lori Parks, and the editor of Approaching the Millennium: Essays on Angels in America (with Steven F. Kruger) and of Considering MAUS: Approaches to Art Spiegelman's "Survivor's Tale" of the Holocaust. She is also a published performance poet who has appeared in the National Poetry Slam and in many other venues.
Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan and the series editor of Methuen Drama's Miller scholarly editions. He has written extensively on the work of Samuel Beckett and Arthur Miller.
Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature, Professor of English and Theater at the University of Michigan. He is series editor of Methuen Drama's Arthur Miller scholarly editions, and with Mark Taylor-Batty of Methuen Drama's Engage series. He has written extensively on the work of Samuel Beckett and Arthur Miller.
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Zustand: New. Editor(s): Geis, Deborah R. Series Editor(s): Brater, Enoch; Taylor-Batty, Mark. Series: Methuen Drama Engage. Num Pages: 320 pages. BIC Classification: AN; DSG. Category: (G) General (US: Trade). Dimension: 216 x 138. . . 2016. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781472567871
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