'This is an innovative collection, based on original research and drawing on different countries and different times, that maps the social meaning of consumerism. It goes beyond the "false consciousness vs. authentic self-expression" debate to say new things about a central feature of contemporary society.' James Curran, Goldsmiths, University of London, UK 'Surveying the field from Essex girls to haute couture fashionistas, and from post-war austerity to postmodern extravagance, this collection opens up an impressive range of perceptive debates on how popular television genres (comedies, dramas, lifestyle shows and beyond) have represented the attractions, contradictions, pleasures and pitfalls of consumer society. This is a volume full of astute insights, thoughtful perspectives and constructive provocations.' Andy Medhurst, University of Sussex, UKReseña del editor:
Presenting case studies of well-known shows including Will and Grace, Birds of a Feather, Sex and the City and Absolutely Fabulous, as well as 'reality' television, this book examines the transformations that have occurred in consumer society since its appearance and the ways in which these have been constructed and represented in popular media imagery. With analyses of the ways in which consumerism has played out in society, Consumerism on TV highlights specific aspects of the changing nature of consumerism by way of considerations of gender, sexuality and class, as well as less definable changes such as those to do with the celebration of ostentatious greed or the righteousness of the ’ethical’ shopper. With attention to the highly delineated consumer field in which ’shopping’ as an embedded practice of everyday life is caught between escapism and politics, authors explore a variety of themes, such as the extent to which consumerism has become embedded in forging identity, the positing of consumerism as a form of activism, the visibility of the gay male consumer and invisibility of the lesbian consumer, and the (re)stratification of consumer types along class lines. An engaging invitation to consider whether the positioning of consumerism through on-screen depictions is indicative of a new type of non-philosophical politics of 'choice' - a form of marketised, (a)political pragmatism - this book will appeal to scholars and students of sociology and cultural and media studies, with interests in class, consumption and gender.
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