'I tried to keep you safe, but I see now that I can't. They won't stop until they have you . . .'
When Ivy's search for her mother draws her to a remote Welsh isle, she uncovers a dark secret about her past.
An ancient and corrupt power is stalking Ivy, and her only chance of survival is to look deep within herself. For not every story in legend is true, and some evils are not what they seem ...
An unputdownable novel steeped in Welsh mythology and Arthurian legend, from the bestselling author of THE TWISTED TREE and THE CROOKED MASK
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Rachel Burge works as a freelance feature writer and has written for a variety of websites, including BBC Worldwide, Cosmo and MTV. She lives in East Sussex with her partner and son. She is on Twitter (@RachelABurge), Facebook (RachelBurge) and Instagram (rachelburgewriter) and Pinterest (burge0709). Her website is rachelburge.co.uk.
.'When Ivy's search for her mother draws her to a remote Welsh isle, she uncovers a dark secret about her past. An ancient and corrupt power is stalking Ivy, and her only chance of survival is to look deep within herself.
I love it when a butterfly emerges from its chrysalis and unfurls
its tiny, shrivelled wings. It’s freeing– the idea that whatever
your problems, you can transcend them: wake up one day and
find that you’ve changed into a different creature, grown wings
and can fly away. Everyone gets excited about the miracle of
nature, the power of transformation. At the same time, no one
asks what the caterpillar had to sacrifice to achieve those wings.
But then everyone loves the Disney version, don’t they? We
all want to see the ugly grub become a thing of beauty. We all
want the fairy tale.
In the real world, orphans go unadopted and little girls who
are abandoned by their mothers are raised by wolves, only
to be eaten by them. But no one wants to hear that. People
aren’t interested in the cruel and messy truth, so I don’t tell
them about me– the same way I don’t tell them what really
happens to the caterpillar.
It’s Friday morning and I’m sitting on the specimen room
floor at work, wedged between two cardboard boxes (there’s
at least one advantage to being small), and hoping my jerk of
a boss doesn’t find me. Before me is a row of wooden display
cases containing various chrysalides, and in my hand is my
phone. I glare at it, as if that might somehow shame it into
ringing. It doesn’t. Eventually the screen dims and somewhere
in my heart a light goes out.
Lifting the locket from my neck, I open the tiny, hinged door
and take out the slip of folded paper as I’ve done a thousand
times before.
I’m so sorry. I tried to keep you safe, but I see now that I can’t.
They won’t stop until they have you, but I can’t let that happen.
Be strong, little one, trust no one, and know that
Like me, the scribbled note was abandoned, a half-finished
story containing more questions than answers. I stare at the
words until they become as blurred and indecipherable as their
meaning. Who was my mother keeping me safe from? What was
bad enough to make her dump her baby at a motorway service
station? I’m named after the cleaner who found me– Ivy. But
what name did my mum give me? Where were the rest of my
family? I have so many questions, but it always comes down
to a single word beating inside me like a second heart.Why?
I fold the paper back inside and then tuck the brass locket
into my shirt, my fingers briefly tracing the raised butterfly
design. I guess it’s fitting that I ended up working at a butterfly
zoo, but then I’ve always loved the tiny creatures. The locket
is all I have of my mum, so to me butterflies are an emblem
of hope, a sign that one day I’ll find her.
And now maybe I have.
I’ve spent years posting on missing person sites asking for
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