A shipwrecked sailor disturbs the life of a journalist in a late nineteenth-century English seaside town in this reimagining of Ibsen’s The Lady from the Sea.
After a ferocious storm shipwrecks young Norwegian sailor Hans Lyngstrand in the English Channel near Dengate, aspiring journalist Martin Bridges takes a job at the local newspaper. When Hans moves into Martin's boardinghouse to convalesce and Martin interviews the young sailor for the paper, it upends Martin's otherwise uneventful world. Hans tells him of the shipwreck—and of his encounter with a vicious sailor vowing to seek revenge, who Hans believes may still be alive. So begins a complex friendship between the two young men that will cause Martin to reexamine his relationships with everyone around him.
In The Stranger from the Sea, the backstories Paul Binding creates for the characters of Ibsen’s classic The Lady from the Sea unfold in tandem with the secret romances, rivalries, and heartaches of a seemingly unremarkable town. The result is a lyrical and quietly captivating novel that will mesmerize readers from its opening pages.
“A sensitive depiction of youthful sexuality, the anguish of failed relationships, and the rights of women in a male-dominated world,” —TLS
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PART ONE,
ONE I Find a New Home (I Don't Think), 11,
TWO At the Mercy of the Mercy Room, 29,
THREE Important Information Comes My Way, 51,
FOUR The W. T. Stead of Dengate, 65,
FIVE The Dead Can Speak — Or So it Seems, 89,
SIX What Hath Night to Do with Sleep?, 103,
SEVEN The Morning After, 111,
EIGHT Mercies of One Sort or Another, 119,
NINE Furzebank Ho, 127,
TEN Peregrine Falcon and a Rite of Passage, 151,
ELEVEN I Visit the Old Hole, 167,
TWELVE Friendship's Changing Faces, 193,
THIRTEEN Summer's Long Strong Spell, 227,
PART TWO,
ONE "I'm Going to be a Sculptor", 291,
TWO My Legacy, 321,
Publication Note, 346,
Historical Note, 347,
Acknowledgments, 349,
I Find a New Home (I Don't Think)
When I was given the job on The Channel Ports Advertiser, I felt fortune had turned in my favor at last. I had been working on a South London newspaper for three whole years and was still spending far too much time running backwards and forwards between office and printers. I'd been taken on, after, all in the understanding that sooner rather than later I'd be a reporter going out and about in pursuit of stories. And I followed all the latest movements in our press, particularly the activities of W. T. Stead at his Pall Mall Gazette, and regularly relayed them to Mr. Burton, my editor. Well, eventually the day came when Burtie called me in to say he'd been chatting with fellow editors in our newspaper group and had learned of a vacancy in The Advertiser, down in Dengate, on the south Kent coast. So the very next week — on Thursday, February 19, 1885, to be exact — I rook the train down to meet one Mr. Edmund Hough.
"We are expanding here handsomely," this man informed me. "And so have room for another young man on our staff. Provided, of course, that he has the required largeness. Largeness of spirit, that is," he added, his brown eyes twinkling.
Well, if he'd been looking for the other kind, I would not have fitted the bill, being on the short side, and lean and wiry in build. With respect to physical largeness, Mr. Hough, a man in his mid-forties wearing a black velvet jacket and crimson bow-tie, wasn't doing too badly: ruddy face, bull neck, full stomach.
Dengate I already knew from daytrips with friends from my South London paper: crowded beaches, famous white cliffs, long terraces of boarding-houses and hotels. My mates and I had thoroughly enjoyed ourselves here: listening to singers and comedians in the booths, whispering outrageous things to passing girls (well, that was Will Postgate of course, with the rest of us egging him on!), and, naturally, partaking of jellied-eels and winkles. But I'd no more thought of living in Dengate than in the Tower of London or Madame Tussauds. I was only twenty-three — though, to my shame, a few months older than the great W. T. Stead when he took over The Northern Echo — and had spent at most half a dozen nights away from London. Could a seaside resort — further from "The Smoke" than I'd realized — truly cater for my needs?
Mr. Edmund Hough was clearly reading my thoughts.
"What goes on in Dengate, Bridges, is as important as what goes on anywhere else in the world. The Advertiser is in the vanguard of British papers in giving attention to regional news. When the last of those beastly restrictive taxes went, it became easier for a local paper to be, well, local. As it should be. In the bad old days" — Mr. Hough batted them away with his right hand — "many of our pages were filled with syndicated stuff just like your average London rag. But no longer! Bridges, you'll be able to write all those exciting articles I hear you aspire to without going beyond this goodly borough of ours. Like any other reporter you'll be covering the usual run of civic events, but any high dramas that come our way, you'll be in line for meeting head-on!"
Music to my ears! Edmund Hough's voice, coming though it did from an ample body, was light and breezy, and every so often leaped upwards with excitement into a boyish register.
"For the moment, like every other paper in Kent, The Advertiser is a weekly, but I am aiming at twice a week, no less ... Well, you'll be wanting to know about the outfit here. We are seven, excluding our unwaged apprentice, Peter Frobisher. The rest are seasoned pressmen of various shapes and sizes. Everybody turns his hand to everything; we all sub our own pieces, and usually each other's as well, provide our own headlines, attend to questions of length and space, and jiggle pieces so they fit in 'round the advertisements which — though I says it as shouldn't — are now positively pouring in. This obviously involves discussion with ..."
I knew it! I said to myself even before he'd finished his sentence. I hadn't done with visits to the printers yet, and those The Advertiser used were situated at a convenient distance of three streets, Barrett Brothers, in red-brick premises built to accommodate their new-model rotary machines. Oh well, if I had to, I had to. I was now noticing, as Mr. Hough talked eloquently on, two framed lines of handsomely lettered verse hanging over his none-too-tidy desk:
Flesh unto spirit must grow.
Spirit raves not for a goal.
Shakespeare? Milton? Anyway, I wasn't sure I agreed with this bloke. My spirit did have a goal, even "raved" for it: to be a first-class reporter. And Mr. Hough himself surely had one too: the success of The Advertiser.
"Is there anything you'd like to tell me," he was now asking, "about your own approach to a newspaper?"
Here was my opportunity, all right. I spoke — jolly well in the circumstances, but then I'd been rehearsing all train journey down — of the example Tit-Bits was setting us all, with its miscellanies of interesting facts, its jokes, its short stories. (I didn't mention that I had gone in for one of its competitions myself, with a humorous story, and had received not, I confess, the "Tit-Bits Villa" promised as first prize but an Honorable Mention!) I expressed my admiration, too, for W. T. Stead's Pall-Mall Gazette with its emphasis on interviews, its determination to show readers areas of national life other publications shied away from.
"Capital, capital!" said Mr. Edmund Hough. "You're clearly a man after my own heart." Then he took out a huge crimson handkerchief, which matched his bowtie, mopped his brow twice or thrice, and then said: "I've just one further question for you, Bridges."
My pulse-rate speeded up, my mouth turned dry. Whatever finer points of typography and modern equipment had I coming to me? Or, worse still, elaborate and testing intricacies of costing? Imagine my surprise at being asked: "Would you say you are cheerful?"
Dare I reply that both inside the South London office and outside it, folk considered me something of a wag? Will Postgate, no less, had called me this.
I answered: "I believe I am."
"Good!" said Mr. Hough. "Cheerfulness makes the world go 'round."
"I'll say!" I agreed sycophantically, though I'd always heard it was love which did this. I could hold back no longer. "Mr. Hough," I blurted. "Might I be so bold as to ask if I have a chance of this...
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Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 352 | Sprache: Englisch | Produktart: Bücher | "The dramatic and moving re-imagination of the characters from Ibsen's The Lady from the Sea, set against the backdrop of a late-nineteenth-century English Channel town that harbors many secrets. After a ferocious early springtime storm, young Norwegian sailor Hans Lyngstrand is shipwrecked in the English Channel near the coastal Kent town of Dengate; he is one of few survivors. Soon after, aspiring journalist Martin Bridges takes a job as the reporter at the local newspaper. A loner by nature, he's a curiosity to the nosy townspeople, the gregarious editor of the paper, and his melodramatic landlady, whose own private life is fraught by the unexplained absence of her son and suspicious disappearance of her husband. But when Hans moves into the Mercy Room of Martin's boardinghouse to convalesce and Martin's editor assigns him the task of interviewing the young sailor, it upends his otherwise uneventful world. Hans tells him of his travels at sea, how he survived the shipwreck and of his encounter with a ferocious sailor vowing to seek revenge, who Hans believes may still be alive. So begins a complex friendship between the two young men that will cause Martin to reexamine his past and future ambitions and his relationships with everyone around him. In The Stranger from the Sea, the backstories Paul Binding creates for Ibsen's classic Lady from the Sea characters unfold in tandem with the secret romances, rivalries, and heartaches of a seemingly unremarkable town. The result is a transporting, lyrical, and quietly captivating period piece that will mesmerize readers from its opening pages"--Jacket. Artikel-Nr. 32393746/2
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