Ian Whitcomb Ukulele Heroes: The Golden Age

ISBN 13: 9781458416544

Ukulele Heroes: The Golden Age

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9781458416544: Ukulele Heroes: The Golden Age

(Book). Although the ukulele has always been popular even when cast to the grass-skirt ghetto of luaus and limbo contests the current craze for this instrument has put the four-string cousin of the guitar into the hands of veteran musicians and young hipsters alike. And while there are a handful of books feeding the current uke explosion, this is the first to detail the stage, screen, and recording stars who pioneered the uke those who predated and made possible its current resurgence. The book begins with how the uke came to the mainland United States from Hawai'i, and the Hawai'ian song craze of 1916-17, fueled by Tim Pan Alley. Profiled stars include Ukulele Ike, Johnny Marvin, Wendell Hall, "Wizard of the Strings" Roy Smeck, George Formby, Arthur Godfrey, Tessie O'Shea, who was a guest along with the Beatles on The Ed Sullivan Show , and Tiny Tim. Author Ian Whitcomb also describes how, when a British teen idol coming off a Top Ten hit, he took out his secondhand Martin uke and recorded his version of a 1916 novelty called "Where Did Robinson Crusoe Go with Friday on Saturday Night?" scoring another hit that led him to appearances on Shindig! , Dick Clark's Where the Action Is , and The Pat Boone Show . Ukulele Heroes: The Golden Age is essential for any uke enthusiast, and features a detailed discography and filmography, essential for any student of the art.

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About the Author:

Ian Whitcomb has been entertaining the world for over 40 years. He formed the rock group Bluesville and hit the American and UK Top Ten in 1965. He is the author of After the Ball, Rock Odyssey, and four ukulele songbooks. He produced the Grammy-winning Titanic: Music as Heard on the Fateful Voyage, and his songs are featured in films like Stanley's Gig, The Cat's Meow, and Last Call. He continues to play shows.

Review:

Ukulele Heroes: The Golden Age, is typically Whitcombian in its eccentricity...It's all lavishly illustrated, and rendered with Whitcomb's trademark brio an admirable blend of deep research and language that's vivid, but never cloying. (Well...hardly ever.) If you have any interest in the history of pop music even if you think you're not interested in ukuleles, or the Hawaii, or vaudeville, or the Great Depression you owe it to yourself to read this monstrously entertaining book. Ian Whitcomb is just that good. --Kirkus Reviews

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