This book offers a range of perspectives on Elizabeth Gaskell and adaptation. The contributors--Alan Shelston, Raffaella Aninucci, Thomas Recchio, Brenda McKay, Katherine Byrne, Patricia Marchesi, Marcia Marchesi and Loredana Salis--discuss the afterlives of Gaskell's fiction, from the author as adaptor of her own work to the role of the BBC in re-inventing Gaskell's narratives. Loredana Salis is to be congratulated for bringing together a collection that tackles the remediation of Gaskell's fiction from Gaskell's own time to the 21st century, enabling Gaskell to join those authors, most prominently, Shakespeare, Austen and Dickens, who have received full-length book studies on adaptations of their work. The collection, as a whole, seems to confirm the notion that since the inception of film, the number of adaptations of an author's work equates to the writer's canonical status. No doubt, this book will prompt many more investigations into the adaptability of Elizabeth Gaskell's fiction.-Deborah Cartmell, De Montfort University, Leicester
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Loredana Salis is Researcher in English Literature at the Universita di Sassari, Italy. A former graduate from the University of Ulster, she obtained there an MA in Irish Literature in English (2001) and a PhD in Comparative Literatures with a thesis on the reworking of classical theatre in contemporary Irish drama (2005). Between 2006 and 2008 she began a co-financed research project between the Arts Faculty, Universita di Sassari, Italy, and the Academy for Irish Cultural Heritages at the University of Ulster, Derry. While in Northern Ireland, she worked as Research Associate in Literary Heritages and conducted research into the migrant communities of Ireland and their representations on the Irish stage. She has also researched and published articles on the Irish Travellers, the Polish and Lithuanian communities in Northern Ireland, the Antigone myth in Italy, and patterns of pilgrimage in Ireland between tradition and globalisation. She moved back to Italy in 2008 and has been a Lecturer in English Language and Literature since then. Her monographs include Miti antichi, storie d'oggi (Pellegrini Editore, 2009) and Stage Migrants: Representations of the Migrant Other in Modern Irish Drama (CSP, 2010).
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