This book examines key issues in transnational cinema, film aesthetics, and Irish history through a reading of Stanley Kubrick's Barry Lyndon (1975).
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Maria Pramaggiore is Professor and Chair of the Department of Interdisciplinary Studies at
Appalachian State University in Boone, NC, USA. She has published widely on film and media and gender and sexuality. Recent publications include 'Feminism and Auteurism and the 1970s, In Theory,' in Women and New Hollywood: Gender, Creative Labor and 1970s American Cinema, ed. Aaron Hunter and Martha Shearer (2023) and 'Streaming Bloody Murder: Documentary Celebrity and Sophie Toscan du Plantier Anniversary Media,' co- authored with Páraic Kerrigan (Celebrity Studies, 2023).
Considered by critics to be Stanley Kubrick's masterpiece, Barry Lyndon has suffered from scholarly and popular neglect. Maria Pramaggiore argues that one key reason that this film remains unappreciated, even by Kubrick aficionados, is that its transnational and intermedial contexts have not been fully explored. Taking a novel approach, she looks at the film from a transnational perspective -- as a foreign production shot in Ireland and an adaptation of a British novel by an American director about
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