From National Book Award finalist Jean Thompson comes a mesmerizing, decades-spanning saga of one ordinary American family—proud, flawed, hopeful— whose story simultaneously captures the turbulent history of the country at large.
Over the course of a thirty-year career, Jean Thompson has been celebrated by critics as “a writer of extraordinary intelligence and sensitivity” (O, The Oprah Magazine), “an American Alice Munro” (The Wall Street Journal), and “one of our most lucid and insightful writers” (San Francisco Chronicle). Her peers have been no less vocal, from Jennifer Egan (“bracing . . . boldly unconventional”) to David Sedaris (“if there are ‘Jean Thompson characters,’ they’re us, and never have we been as articulate and worthy of compassion”).
Now, in The Year We Left Home, Thompson brings together all of her talents to deliver the career-defining novel her admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century. It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons’ youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.
Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War’s aftermath, the farm crisis, the numerous economic boomsand busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.
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Jean Thompson is the author of Who Do You Love: Stories, a 1999 National Book Award finalist for fiction, and the novels City Boy and Wide Blue Yonder, a New York Times Notable Book and Chicago Tribune Best Fiction selection. She lives in Urbana, Illinois. Visit her at www.jeanthompsononline.com.
Iowa
JANUARY 1973
The bride and groom had two wedding receptions: the first was in the basement of the Lutheran church right after the ceremony, with punch and cake and coffee and pastel mints. This was for those of the bride’s relatives who were stern about alcohol. The basement was low-ceilinged and smelled of metallic furnace heat. Old ladies wearing corsages sat on folding chairs, while other guests stood and managed their cake plates and plastic forks as best they could. The pastor smiled with professional benevolence. The bride and groom posed for pictures, buoyed by adrenaline and relief. There had been so much promised and prepared, and now everything had finally come to pass.
By five o’clock the last of the crowd had retrieved their winter coats and boots from the cloakroom and headed out. It was January, with two weeks of hard-packed snow underfoot and more on the way, and most of them had long drives from Grenada, over country roads to get back home. The second reception was just beginning at the American Legion hall, where there would be a buffet supper, a bar, and a dance band.
The bride’s younger brother had been sent to open the Legion building so that the food could be brought in ahead of time. He drove his pickup truck the mile from the church, playing the radio loud to shake off the strangeness of the day. He’d been an usher at the wedding and he still wore his dark suit and blue-tinted carnation boutonniere, clothes that made him feel stiff and false. The whole import of the wedding embarrassed him powerfully, though he could not have said why. Many things had been disquieting: his sister in her overdone bridal makeup, his mother’s weeping, the particular oppressiveness of anything that took place in church, the archness of the female relatives who told him how tall and handsome he looked. “Pretty soon we’ll get to dance at your wedding, hey?” He’d shrugged and said, Well, they could at least dance, which had made his girlfriend mad.
She was still back at the church and still mad, which was why he’d managed to get away by himself, if only for a few minutes. As he was leaving, she’d whispered that he should see what they had in the liquor cabinet over there. He guessed that that was what it was going to take to get her back in any kind of a good mood. A bottle they could show off as a trophy, then drink some night while they were out driving around.
The radio was playing “Horse with No Name.” He turned it up and sang along:
I’ve been through the desert on a horse with no name
It felt good to be out of the rain
He wished he was out there right now, in some desert, instead of smack in the middle of his family, who, because they knew his origins and his history, thought they knew everything about him. He couldn’t account for this feeling when a wedding, after all, was supposed to be this big happy thing. He guessed he must be some kind of freak.
The gray afternoon was already shutting down when he pulled into the Legion parking lot, got out, and fumbled with the stiff lock. It gave way and he stepped inside.
The hall was a big bare space with a much-buffed tile floor. Gloomy light reflected from it in pools. To one side was a kitchen with a large stainless steel double sink, two restaurant-style wall ovens, and a pass-through to the main part of the room. Long tables covered with white paper tablecloths were set up to receive food, and stools and hightops were stacked in the foyer. He tried the bar closet but as expected it locked with a separate key. Then he heard another car pull up. He turned on the overhead lights and went back out into the cold.
His Uncle Norm and Aunt Martha were unloading their station wagon. “Ryan,” his uncle said by way of a greeting, and handed him a foil-covered metal pan. “Careful, this one’s heavy.”
His aunt said it had been a beautiful wedding, hadn’t it, and Ryan said it had. That was the extent of the small talk since there was all the food to manage, work to be done, and with Norm and Martha, work came before everything else. There were a dozen or more big pans to carry inside, and two coolers, and a cardboard box full of paper towels and pot holders and other useful items. “Just set everything out on the table,” Martha directed, hanging up her coat and putting on the apron she’d brought from home. Ryan, peeking under the foil, found sliced ham with raisin sauce, a macaroni-and-tomato casserole, a green salad, potatoes topped with shredded orange cheese, beef in gravy, chicken and biscuits, corn pudding. There were sheet cakes too, and bags of dinner rolls.
He guessed that Norm and Martha had organized the supper, collecting the prepared food from different country relatives. It would have been a very Norm-and-Martha thing to do. They were not, technically, his aunt and uncle. They were his grandmother’s cousins, his mother’s mother’s people. Tall, freckled, rawboned, they seemed not to have aged since his childhood. His mother had been a Tesman and her mother was a Peerson, and the Peersons were the scariest of the old Norwegian families. They lived out in the boondocks, what his dad called Jesus Lost His Shoes territory, and their church still held services in Norwegian the third Sunday of every month. Most of them farmed. They believed in backbreaking labor, followed by more labor, and in privation, thrift, cleanliness, and joyless charity. If you wanted a tree taken down or a truck winched out of a ditch or a quarter of a cow packaged for your meat locker, you called a Peerson. If you wanted lighthearted company, you called someone else.
The boy, Ryan, thought of them as part of some grim, old-country past that laid claim to him without his consent. Ever since he was a little kid he’d heard instructive things about Norwegian this and Norwegian that, like postcards from a place he’d never been and none of it any use to him, not flags nor fjords nor rotten jellied lutefisk, which nobody made anymore and nobody even pretended to like. Maybe if you poked around in the gene pool all the way back to the Vikings, you’d find some worthy ancestor. But all that had been beaten out of people long ago, or maybe it was just that the tamest and most boring Norwegians had settled here in Iowa, where they devoted themselves to lives of piety and sacrifice and usefulness.
But he wasn’t going to spend any more time thinking about all that, since what really counted was the life you made for yourself, and the person you decided to be.
Once the food was brought in, he and Norm began setting up the hightops and stools around the room’s edges. He guessed it about killed Norm and Martha to be in a place where drinking would go on, but they saw it as their duty to be helpful, and both the duty and the disapproval would be part of the occasion for them.
“So this fella,” Norm began, and Ryan understood that Norm meant the groom, Ryan’s new brother-in-law. “What’s he like?”
“Jeff? He’s OK.” He was kind of an asshole.
“Ah.” Norm nodded, as if this was convincing information. He reached for a rag and slapped it across a tabletop. Norm’s hands were big and chapped and had been gouged and nicked and scarred and healed over so many times that the skin was as full of history as an elephant’s hide. “Where’s he from, out West someplace?”
“Yes, sir. Denver.”
Norm received this in silence. Ryan wondered what was bugging Norm about Jeff, who was your basic bullshit artist, all fake smiles and manly handshakes. You figured somebody that straight and narrow would be a hit with the home...
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Hardback. Zustand: Fair. From National Book Award-finalist Jean Thompson comes a mesmerizing, decades-spanning saga of one ordinary American family--proud, flawed, hopeful--whose story simultaneously captures the turbulent history of the country at large. In The Year We Left Home, Thompson brings together all of her talents to deliver the career-defining novel her admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century. It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever. Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy--and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts--The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character. Artikel-Nr. 00078603366
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Hardback. Zustand: Good. From National Book Award-finalist Jean Thompson comes a mesmerizing, decades-spanning saga of one ordinary American family--proud, flawed, hopeful--whose story simultaneously captures the turbulent history of the country at large. In The Year We Left Home, Thompson brings together all of her talents to deliver the career-defining novel her admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century. It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever. Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy--and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts--The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character. Artikel-Nr. 00076882371
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