WELCOME TO THE SECOND “GOLDEN AGE” OF SUPERHEROES AND HEROINES
Superheroes have come a long way since the “Man of Steel” was introduced in 1938. This brilliant new collection features original stories and novellas from some of today’s most exciting voices in comics, science fiction, and fantasy. Each marvelously inventive tale shows us just how far our classic crusaders have evolved—and how the greatest of heroes are, much like ourselves, all too human.
In “Call Her Savage,” MARJORIE M. LIU enters the dark heart of a fierce mythic heroine who is forced, by war, to live up to her own terrible legend.
In “A to Z in the Ultimate Big Company Superhero Universe (Villains Too),” BILL WILLINGHAM presents a fully-realized vision of a universe where epic feats and tragic flaws have transformed the human race.
In “Vacuum Lad,” STEPHEN BAXTER unveils the secret origins of the first true child of the space age—and disproves the theory that “nothing exists in a vacuum.”
In “Head Cases,” PETER DAVID and KATHLEEN DAVID blast through the blogosphere to expose the secret longings of a Lonely Superhero Wife.
In “The Non-Event,” MIKE CAREY removes the gag order on a super-thief named Lockjaw . . . and pries out a confession of life-altering events.
Also includes stories by Mike Baron • Mark Chadbourn • Paul Cornell • Daryl Gregory • Joseph Mallozzi • James Maxey • Ian McDonald • Chris Roberson • Gail Simone • Matthew Sturges . . . and an introduction by Lou Anders, “one of the brightest and best of the new generation of science fiction editors” (Jonathan Strahan, The Best Science Fiction and Fantasy of the Year).
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A 2008/2007 Hugo Award nominee, 2008 Philip K. Dick Award nominee, 2007 Chesley Award nominee, and 2006 World Fantasy Award nominee, Lou Anders is the editorial director of Prometheus Books' science fiction imprint Pyr, as well as the anthologies Fast Forward 2 (Pyr, October 2008), Sideways in Crime (Solaris, June 2008), Fast Forward 1(Pyr, February 2007), FutureShocks (Roc, January 2006), Projections: Science Fiction in Literature & Film (MonkeyBrain, December 2004), Live Without a Net (Roc, 2003), and Outside the Box (Wildside Press, 2001). In 2000, he served as the Executive Editor of Bookface.com, and before that he worked as the Los Angeles Liaison for Titan Publishing Group. Anders is the author of The Making of Star Trek: First Contact (Titan Books, 1996), and has published over 500 articles in such magazines as The Believer, Publishers Weekly, Dreamwatch, Deathray, Free Inquiry, Star Trek Monthly, Star Wars Monthly, Babylon 5 Magazine, Sci Fi Universe, Doctor Who Magazine, and Manga Max. His articles and stories have been translated into Danish, Greek, German, Italian, and French, and have appeared online at SFSite.com, RevolutionSF.com, and InfinityPlus.co.uk. Visit him online at www.louanders.com.
Cleansed and Set in Gold
MATTHEW STURGES
I’m on the ground, trying to breathe through a chest full of broken ribs. The only reason I’m still alive is because I happen to be invisible at the moment. Verlaine is dead. His body is twitching, trying to patch itself up, but the thing that killed him is chewing on his heart, its long tongue flicking. I can hear Verlaine’s fingernails scratching against the rocks.
We all thought Verlaine was immortal. He wasn’t.
Some low-level administrative assistant from the League of Heroes is trying to take a statement from me in my hospital bed. I’m sort of trying to comply, but each time I breathe it’s like someone’s sticking a giant fork in my chest. So I’m not as cooperative as I could be.
“How big was this thing?” he asks.
“Biggest one I’ve ever seen,” I whisper, carefully mouthing the words.
“But still a Ghoul? Same physiognomy?”
“His ‘physiognomy’ is his face. You mean ‘morphology.’”
The lackey scowls at me. “Sorry,” he says.
“If you don’t know what a word means,” I say, “don’t use it. Then you won’t have to apologize.”
He shifts uncomfortably in his seat, looking around the ICU ward, maybe hoping that there’s some more desirable Leaguer that he can pester. But there isn’t.
“Anyway, to answer your question, no. He wasn’t like the others. He was bigger. He. . . his fist was like. . .” I hold up my fist and five needles of pain lace across my chest. I notice that the nail on my left index finger is bent backward, nearly disconnected. They’ve put a bandage on it. This bothers me more than the ribs for some reason.
“His fist was the size of your head,” I finally say. “He put it through Verlaine’s chest like Verlaine was as mortal as you.”
The lackey puts his minirecorder on the table by my bed. His hand is shaking. “How many of them were there? This new variety.”
“I just saw the one. He was leading the others, though. Can you imagine that? A leader. A Ghoul King.”
The next day, the headlines read GHOUL KING KILLS RUSSELL VERLAINE. I can imagine the League’s PR people going back and forth on this. “Is it worse if we admit that there’s some kind of new mutant giant Ghoul running around, or if we imply that Russell Fucking Verlaine was murdered by some regular Ghoul?” I don’t envy them.
After I leave the hospital—against medical advice; which, whatever— I take a taxi back to my apartment. A few unpleasant bites choked down and a potent healing factor kicks in, spreading warmth throughout my battered bones and knitting everything together in seconds. Oh, God. Yes.
I decide that it’s best not to appear too healthy at Verlaine’s funeral, so I take care to walk slowly and gasp for breath every few paces. I’ve even gone so far as to put on fresh bandages around my chest. In case someone uses their X-ray vision to look under my shirt, I guess. Although if they could do that, they could see that my bones aren’t actually broken anymore. It doesn’t matter, though, because all of the people who’re capable of doing so wouldn’t care. And anyway, one of them is lying dead in a box in front of me.
I’m sitting on a cold metal folding chair, pretending to be hurt, watching them lower Verlaine into the ground. It turns out that they need a special crane and a steel-reinforced casket for all of this, because Verlaine’s body is so dense that he weighs just over three tons. The news media are fascinated. Jesus, Russell Verlaine makes good TV, even dead.
When you think “hero,” you think Russell Verlaine. You don’t think of me. I’m not particularly good-looking, I don’t have a fascinating origin story, and I don’t even have a constant set of powers that you can put on a trading card. “David Caulfield, The Wildcard. Powers: variable” is what the League Reserves card they did for me reads. You can buy it for a penny on eBay. Shit, I don’t even wear a costume. I go around fighting criminals and monsters in jeans and an AC/DC concert tee. I am nobody’s favorite hero.
I don’t mind, really. The last thing I need is intense media scrutiny. The less they know about me, the better.
I stay until the coffin is in the ground and the bulldozers have filled in the earth. I’m the only one left except for Jeanie Verlaine, who’s sitting on the ground in front of her husband’s grave. The last thing I’m going to do is go try to comfort her or something, so I whisper my last respects to Russell from my seat and then I get up and try to walk away without Jeanie hearing me.
At the entrance to the cemetery is a woman I vaguely recognize as a reporter for one of the wire services. She’s standing by the gate, smoking, trying to look casual.
“Hey,” I say. “If you’re waiting for Jeanie to come out so you can ambush her, forget it. That’s the last thing she needs right now.”
“Hi, David,” she says, as if I hadn’t spoken. “I’m Toni Evins, from Reuters.”
She intercepts me before I can cross the street. “I’m not here to ambush Jeanie Verlaine,” she says. “Give me some credit.”
“I don’t care what you do,” I say. Why am I being such an asshole? This right here is why they don’t like me.
Toni pretends not to be annoyed. “I’m actually here to talk to you. I heard you were there when it happened.”
“Yeah,” I say. I try to come up with something to follow that with, but I have nothing.
“If you’re interested, I’d like to do an interview with you—get your first-hand impressions, that sort of thing.” She smiles gamely.
I close my eyes, shrug. “I don’t know. I don’t do very well with interviews. I always say the wrong thing. I’ll have to pass.”
The smile fades. Toni levels her gaze at me. Kate Frost looks at things the same way just before she shreds them with her eye-beams.
“Actually, there’s something else I wanted to talk to you about,” she says. “Aside from the Verlaine article, I mean.”
“I really don’t think I’d be interested,” I say, and go to push past her.
She puts her hand on my arm, and her grip is surprisingly strong, however mortal. “Terri Day had invisibility powers, correct?”
“Yeah? So? Terri’s dead.”
“And when you and Verlaine were fighting the Ghoul King, you were invisible. Also correct?”
“I have all kinds of powers. You know: variable.”
Toni’s grip tightens on my arm. “And King Stryker had those green energy blasts. He died, too. About six months ago.”
Oh, shit.
I swallow, trying not to look nervous. “It’s been a tough year for the League.”
“You were sporting some very similar-looking green energy blasts when you and the League were taking out that Ghoul redoubt north of Chicago. I’ve seen video.”
“So?”
“So, I guess I’m wondering exactly how you got their powers.”
I shrug, a practiced shrug if ever there was one. “A guy at UNC did his doctoral thesis on my powers,” I say. “His conclusion was that I absorb them through etheric proximity or...
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