Treatise On The Knowledge Necessary To Amateurs In Pictures is a book written by Francois-Xavier De Burtin in 1845. The book is a comprehensive guide for amateur art enthusiasts who wish to gain a deeper understanding of painting and the techniques used by artists. It covers various topics such as color theory, composition, perspective, and the history of art. The author provides numerous examples and illustrations to help readers comprehend the concepts discussed in the book. The Treatise On The Knowledge Necessary To Amateurs In Pictures is an excellent resource for those who want to enhance their appreciation of art and develop their skills in painting.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The slight extension of the subject which he has made, by the introduction of the prices of pictures at the public sales of the principal collections in France for the last hundred years, taken from the work of M. Gault de Saint Germain, need scarcely be noticed as an exception to this statement. The abridgments that have been made, have been chiefly on those parts of the work in which it digresses into controversial matter no longer at issue, such as the comparative merits of colour and design, or the opinions of writers in regard to the Flemish school of painting. In these, the Translator has used greater freedom, both of selection and arrangement; but he has, at the same time, been careful to retain throughout the tone and train of thought of the A uthor. The Translator was much interested by discovering that two of the pictures described by M.
(Typographical errors above are due to OCR software and don't occur in the book.)
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