The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters contributes to the international development of screenplay studies. While the debate on the ontology of the screenplay continues, a fact remains clear for screenwriters: the screenplay is the film’s skeleton and the main base that sustains a story told through images. Certainly, lack of visibility, including publication, distribution, and promotion, are some of the problems that the screenplay confronts, but these are not the only challenges. Traditionally, the form has been unappreciated and regarded by many as only an initial step in the complexity of film production. In this study, the author elaborates on the cultural baggage that the screenplay carries since it is text imbued with multiple signs that – for various reasons – often get lost in the process and never make it to the screen. In this context, the author touches on the concept of adaptation since it is often a key element in screenplay research. The Story of the Mexican Screenplay focuses on a general historical investigation of the Mexican screenplay, specifically on women’s screenwriting. In addition to screenplay analysis, the interviews with women screenwriters are revealing of various cultural issues such as gender discrimination in the work place, political censorship, collective screenwriting, and collaboration among writers, and with the director. These topics explain, in part, the double marginalization of female screenwriting in Mexico.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
María Teresa DePaoli is Associate Professor of Spanish at Kansas State University. She received her doctorate degree from Purdue University in 2001. Her research centers on Latin American literature, film, media, as well as cultural studies, and she has published numerous peer-reviewed articles. DePaoli is coeditor (with Laura Kanost) of Las guionistas: A Bilingual Anthology of Mexican Women Screenwriters (forthcoming).
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. CX-9781433110344
Anzahl: 15 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9781433110344_new
Anzahl: Mehr als 20 verfügbar
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. CX-9781433110344
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Contributes to the international development of screenplay studies. This title elaborates on the cultural baggage that the screenplay carries since it is text imbued with multiple signs that - for various reasons - often get lost in the process and never make it to the screen. Series: Framing Film. Num Pages: 117 pages. BIC Classification: AN; APF; APFN; JFSJ1. Category: (P) Professional & Vocational. Dimension: 152 x 225 x 11. Weight in Grams: 192. . 2014. New. paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781433110344
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters contributes to the international development of screenplay studies. While the debate on the ontology of the screenplay continues, a fact remains clear for screenwriters: the screenplay is the film's skeleton and the main base that sustains a story told through images. Certainly, lack of visibility, including publication, distribution, and promotion, are some of the problems that the screenplay confronts, but these are not the only challenges. Traditionally, the form has been unappreciated and regarded by many as only an initial step in the complexity of film production. In this study, the author elaborates on the cultural baggage that the screenplay carries since it is text imbued with multiple signs that - for various reasons - often get lost in the process and never make it to the screen. In this context, the author touches on the concept of adaptation since it is often a key element in screenplay research. The Story of the Mexican Screenplay focuses on a general historical investigation of the Mexican screenplay, specifically on women's screenwriting. In addition to screenplay analysis, the interviews with women screenwriters are revealing of various cultural issues such as gender discrimination in the work place, political censorship, collective screenwriting, and collaboration among writers, and with the director. These topics explain, in part, the double marginalization of female screenwriting in Mexico. Artikel-Nr. 9781433110344
Anzahl: 1 verfügbar
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. The Story of the Mexican Screenplay | A Study of the Invisible Art Form and Interviews with Women Screenwriters | Maria Teresa Depaoli | Taschenbuch | 128 S. | Englisch | 2014 | Peter Lang | EAN 9781433110344 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. Artikel-Nr. 105180691
Anzahl: 5 verfügbar