The big house, standing on a high hill which overlooked the city, showed in the moonlight the grotesque outlines of a composite architecture. Originally it had been a square substantial edifice of Colonial simplicity. A later and less restrained taste had aimed at a castellated effect, and certain peaks and turrets had been added. Three of these turrets were excrescences stuck on, evidently, with an idea of adornment. The fourth tower, however, rounded out and enlarged a room on the third floor. This room was one of a suite, and the rooms were known as the Tower Rooms, and were held by those who had occupied them to be the most desirable in the barn-like building.
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Irene Temple Bailey, born on February 24, 1869, in Petersburg, Virginia, was a highly successful American novelist and short story writer. She began her career around 1902, contributing stories to renowned national magazines such as The Saturday Evening Post, Cavalier Magazine, Cosmopolitan, The American Magazine, Good Housekeeping, and McCall's. In 1914, she wrote the screenplay for the Vitagraph Studios film Auntie, and two of her novels were adapted into films. Bailey's literary success extended beyond magazine contributions; three of her books were on the list of bestselling novels in the United States in 1918, 1922, and 1926. Despite her success, Bailey never married. She passed away on July 6, 1953, at her apartment in Washington, D.C. Her obituary in The New York Post estimated that her novels had sold over three million copies, solidifying her status as one of the best-paid writers of her time. Cosmopolitan magazine had once paid her $325,000 for three serial novels and short stories, underscoring her immense success in the literary world.
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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