It is entirely probable that the date of "The Tempest" is 1611, and that this was the last play completed by Shakespeare before he retired from active connection with the theater to spend the remainder of his life in leisure in his native town of Stratford-on-Avon. The main thread of the plot of the drama seems to have been some folk-tale of a magician and his daughter, which, in the precise form in which Shakespeare knew it, has not been recovered. The storm and the island were, it is believed, suggested by the wreck on the Bermudas in 1609 of one of the English expeditions to Virginia. Traces are found, too, of the author¿s reading in contemporary books of travel. But the plot itself is of less importance than usual. Supernatural elements are introduced with great freedom, and the dramatist¿s interest was clearly not in the reproduction of lifelike events. The presentation of character and the attractive picturing of the beauty of magnanimity and forgiveness are the things which, along with its delightful poetry, make the charm of this play. It is not to be wondered at that readers have frequently been led to find in the figure of the great magician, laying aside his robes and wonder-working rod in a spirit of love and peace toward all men, a symbol of the dramatist himself at the close of his great career; and it is surely legitimate to play with this idea without assuming that Shakespeare consciously embodied it. One can hardly conceive a more fitting epilogue to the volume which is the crown of the world¿s dramatic literature than the romance of "The Tempest."
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The Tempest is one of Shakespeare's most suggestive, yet most elusive plays. It is a magical romance, yet deeply embedded in seventeenth-century debates about authority and power. This edition attends to the implications of Prospero's magic, his political and paternal ambitions, and the controversial issue of his 'colonialist' control of Caliban. The Tempest was also Shakespeare's response to the new opportunities offered by the Blackfriars theatre, and careful attention is given to the play's dramatic form, stage-craft, and use of music and spectacle, to demonstrate its uniquely experimental nature.From the Publisher:
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