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Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor in chief of RogerEbert.com.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than a hundred hours’worth of video essays about cinema history and style for the Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off into a New York Times bestselling hardcover book, The Wes Anderson Collection (Abrams, 2013).
Seitz is the founder and original editor of the House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy Home.
Anne Washburn’s plays include Mr. Burns, The Internationalist, A Devil at Noon, and a transadaptation of Euripides’s Orestes. She lives in New York City and, occasionally, Buenos Aires.
Max Dalton is a graphic artist living in Buenos Aires, Argentina, by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection (Abrams, 2013). Max started painting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.
Wes Anderson's eighth feature film, a meticulously crafted, visually resplendent matryoshka-doll caper set primarily in an alternate-history version of 1930s Europe, The Grand Budapest Hotel is, perhaps, the fullest expression to date of Anderson's varied thematic and stylistic idiosyncrasies, influences, and obsessions. This supplemental one-volume companion to The Wes Anderson Collection (Abrams 2013) is the only book to take readers behind the scenes of The Grand Budapest Hotel with in-depth interviews between Anderson and cultural critic and New York Times bestselling author Matt Zoller Seitz. Anderson shares the story behind the film's conception, the wide variety of sources that inspired it--from author Stefan Zweig to filmmaker Ernst Lubitsch to Photochrom landscapes from turn-of-the-century Middle Europe--personal anecdotes about the making of the film, and many other reflections on his filmmaking process. These interviews will be accompanied by behind-the-scenes photos, ephemera, and artwork.
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