Verwandte Artikel zu Torn (Volume 3) (Cold Awakening, Band 3)

Torn (Volume 3) (Cold Awakening, Band 3) - Softcover

Buch 3 von 3: Cold Awakening

Wasserman, Robin

 
9781416936367: Torn (Volume 3) (Cold Awakening, Band 3)
Softcover
ISBN 10: 141693636X ISBN 13: 9781416936367
Verlag: Simon & Schuster Books for Young Readers, 2011

Inhaltsangabe

From the author of the Seven Deadly Sins series and Hacking Harvard comes the final book in the science fiction trilogy Scott Westerfeld calls “spellbinding.”

One year ago, Lia Kahn died.
A few days later, she woke up.

She had a new body: Mechanical, unfeeling, inhuman. She had a new family: Mechs like her, who didn’t judge her for what she could no longer be. She had a new life, one that would last forever.

At least, it was supposed to.

But now everything Lia thought she knew has turned out to be a lie; everyone she thought she loved has been stolen away. And someone is trying to get rid of the mechs, once and for all. Lia will risk everything to save herself and the people she can’t live without. But not before facing one final truth: She can’t save everyone.

Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.

Über die Autorin bzw. den Autor

Robin Wasserman is the author of the novels Mother Daughter Widow Wife and Girls on Fire. A finalist for the Pen/Faulkner Award for Fiction and a Macdowell Fellow, her writing has appeared in Tin House, VQR, the Los Angeles Review of Books, and The New York Times. She is also the New York Times bestselling author of more than ten books for children and has been a writer and producer on several television shows, including Star Trek: Strange New Worlds and The Summer I Turned Pretty. Robin currently lives in Los Angeles.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

TORN NO MORE SECRETS
“Just make them love you.”

This is not real.

“This is real,” I said, because the voice in my head ordered me to say it.

Because machines follow orders, and I am a machine.

This is not me.

“This is me,” I said. Because I was programmed to lie.

You see everything, but you get nothing.

“What you see is what you get,” I said, and I smiled.

You see: Perfect lips drawn back in a perfect smile. Perfect skin pulled taut over a perfect body.

You see: Hands that grasp, legs that stretch, eyes that understand.

You see a machine that plays the part she was built to play. You see a dead girl walking. You see a freak, a transgression, a sin, a hero. You see a mech; you see a skinner. You see what you want to see.

You don’t see me.

“So it doesn’t bother you, millions of people watching your every move?” the interviewer asked. She was sweating under the camera lights. I wasn’t. Machines neither sweat nor shiver; we endure. This interviewer had a reputation for wringing tears from all her interview subjects, but in my case it would be easier to get a toaster to cry. So something else was needed. Extra feeling from her, to make up for my lack. Shining eyes welling with liquid, rosy cheeks at opportune moments for anger or passion, a shudder for effect when we passed through the really gory parts: the aftermath of the accident, the uploading of spongy brain matter into sterile hardware, the death and reawakening. I had to admit her act was better than mine. But then, pretending to be human is easier when you actually are.

“You don’t feel like you need to put on an act for us? Keep something private, something only for you?”

Artificial neural synapses fired, and electrical impulses shot through artificial conduits, zapped artificial nerves. My perfect shoulders shrugged. My perfect forehead wrinkled in the perfect approximation of human emotion.

“Why would I?” I said.

It had been fifteen days. Fifteen days of posing and preening under their cameras, mouthing their words, following their orders. Burrowing deeper into my own head, desperate for some hidden refuge that their cameras couldn’t penetrate, somewhere dark and empty and safe that belonged only to me.

Widen eyes.

Tilt head.

Smile.

“After all, I have nothing to hide.”

Day one.

“I’ll be fine,” I said flatly. I’d had voices in my head before. One of the many perks of being a machine: the potential for “improvements.” Like a neural implant that would let me speak silently to other mechs, and hear their voices in my head. Like infrared vision and internal GPS and all the other inhuman modifications I’d had stripped away when I moved back in with my org parents and my org sister and pretended to return to my org life. Like I could close my eyes, make a wish, and suddenly be organic again, suddenly be the living, breathing Lia Kahn that had gotten into that car a year ago, pulled onto the highway, slammed into a shipping truck, and been blown into a million burned, bloody pieces.

“The commands will feed directly into your auditory system, and it’ll sound like the voice is coming from inside your head,” Ben said, giving the equipment one final check like the perpetual employee-of-the-week I knew him to be. BioMax’s best mender of broken mechs—mender, fixer, occasionally builder, but, as he was always careful to clarify, not doctor. Doctors tended to real, live orgs, and Ben fixed broken-down machines who only looked human. These last six months, every single thing in my life had changed and changed again, everything except for Ben, who was a constant: same tacky flash suits, same waxy hair, same plastic good looks. Same fake-modesty shtick, as in Aw, shucks, I’m no one important, no one to be afraid of, certainly no one who’d keep secrets from you and manipulate you and blackmail you and hold the power of life and death over your remarkably lifelike head; I’m just a guy, like any other, so you can call me Ben. “Some people get disoriented by the voice—”

“I want to make sure you understand how everything’s going to work,” call-me-Ben said, always pushing. “Once things start, we’re not going to have a chance to talk like this.”

“What a shame.”

He ignored me. “So if you have any questions, it’s best to ask—”

“If Lia says she’ll be fine, she’ll be fine.” That was Kiri Napoor, director of public relations and my own personal liaison to the BioMax powers that be. She caught my eye and winked, Kiri-speak for I know he’s lame; just go with it.

Kiri was my watchdog, assigned to make sure I kept both feet on the company line. When they’d first told me about her, I’d imagined a female version of call-me-Ben, some puffbag of hot air with a tacky weave and skin pulled watertight from one too many lift-tucks, a nag who would follow me around all day, tattling back to her BioMax overlords every time I opened my mouth. Instead she turned out to be Kiri, with her sleek purple hair, perma-smirk, impeccable taste (retroslum shift dress paired with networked boots flashing mangarock vids, that first time I saw her), and enough of a punk twist to make her look cool without even trying.

“You say you want to help the mechs,” she’d said, that first day. “So I trust you to do that. I’m not here to spy on you; I’m here to help you.”

It was pretty much the same line call-me-Ben had been feeding me ever since I’d signed on to the BioMax cause. But when Kiri said it, something in her voice suggested she thought as little of the corp as I did, and felt the same about the crap spewing out of her mouth. Then she’d kicked call-me-Ben out of the room, telling him that from now on if he wanted to bother me, he’d have to bother her first. That sealed the deal.

Kiri was the only reason I’d gone along with this stupid idea to begin with. It had been hers, which meant it couldn’t be all bad. At least that’s what I’d let myself believe when she talked me into it.

Guesting in a vidlife meant wiring myself with micro-cams and mics, ensuring that anyone who wanted could track my every move. Worse, it meant playing whatever part my audience wanted to give me. The perfect blend of scripted melodrama and absolute 24/7 reality, that’s how they had advertised it when vidlifes first started popping up. Your favorite characters mouthing your lines, dosing on your favorite b-mod, hooking up with your choice of guy, running their lives by your rules and ruining their lives for your personal entertainment.

I told myself that it wasn’t any different from what I’d been doing for the last six months as BioMax’s poster child for the happy, healthy mech, doing what they told me to do, saying what they told me to say, bowing and scraping for board meetings and press conferences and legislative committees, dangling on their strings. I’d started because my father had asked me to, and I was still playing nice, honoring the letter of our bargain—I got all the credit I needed to help Riley, and my father got his daughter back. Or at least a reasonable simulacrum thereof. But once I’d made the obligatory appearances he’d asked of me, I stuck around. I’d always been good at acting the...

„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.

Verlag
Simon & Schuster Books for Young Readers
Erscheinungsdatum
2011
Sprache
Englisch
ISBN 10 
141693636X
ISBN 13 
9781416936367
Einband
Taschenbuch
Anzahl der Seiten
384
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Simon and Schuster Netherlands BV, GPSR Europäische Union
info@simonandschuster.nl

Herculesplein 96
Utrecht
3584 AA
Niederlande