Music continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
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David Roesner is a Professor at Ludwig-Maximilians-Universitãt, Munich, and co-director of the European Theatre Research Network. In 2007 he won the Thurnau Award for Music-Theatre Studies for his article 'The politics of the polyphony of performance'. Recent publications include Theatre Noise (with Lynne Kendrick, 2011) and Composed Theatre (with Matthias Rebstock, 2012).
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Zustand: New. Music continues to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship between music and theatre. The theoretical scope of the book is developed from a wide range of case studies. Series: Ashgate Interdisciplinary Studies in Opera. Num Pages: 320 pages, Includes 13 b&w illustrations. BIC Classification: AN; AVGC9. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 241 x 157 x 25. Weight in Grams: 746. . 2014. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781409461012
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