Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts.
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Michele Marrapodi is Full Professor of English Language and Literature, and History of English Drama, in the Faculty of Arts at the University of Palermo, Italy.
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Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, Deutschland
Hardcover with dustjacket. Zustand: Sehr gut. XIV, 321 p. Ein sehr gutes und sauberes Exemplar ohne Anstreichungen / A very good and clean copy without markings. - Contents List of Figures Notes on Contributors A cknowledgements Introduction: Shakespeare against Genres Michele Marrapodi PART I: ART, RHETORIC, STYLE 1 Shakespeare and the Art of Forgetting Stephen Orgel 2 Shakespearean Comedy: Postmodern Theory and Humanist Poetics Robin Headlam Wells 3 Shakespeare: What Rhetoric Accomplishes John Roe 4 Shakespearean Outdoings: Titus Andronicus and Italian Renaissance Tragedy Mariangela Tempera 5 Transalpine Wonders: Shakespeares Marvelous Aesthetics Adam Max Cohen PART II: GENRES, MODELS, FORMS 6 Hamlet versus Commedia dellArte Frances K. Barasch The End of Shakespeares Machiavellian Moment: Julius Caesar, Shakespeares Historiography, and Dramatic Form Hugh Grady 8 The Problem of Old Age: Anticomedy in As You Like It and Ruzantes L Anconitana Anthony Ellis 9 Ruzante and Shakespeare: A Comparative Case-Study Robert Henke 10 The Woman as Wonder Trope: From Commedia Grave to Shakespeares Pericles and the Last Plays Michele Marrapodi PART III: SPECTACLE, AESTHETICS, REPRESENTATION 11 Shakespeares Italian Carnival: Venice and Verona Revisited François Laroque 12 (Re)fracted Art and Ordered Nature: Italian Renaissance Aesthetics in Shakespeares Richard II Susan Payne 13 Tis Pity Shes Italian: Performing the Courtesan on the Early Seventeenth-Century English Stage Keir Elam 14 Silence, Seeing, and Performativity: Shakespeare and the Paragone Duncan Salkeld 15 Italian Spectacle and the Worlds of James VI/I Michael Wyatt PART IV: CODA 16 How Do We Know When Worlds Meet? Louise George Clubb Bibliography Index. ISBN 9781409421498 Sprache: Englisch Gewicht in Gramm: 765. Artikel-Nr. 1231114
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Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. pp. 338 6 Illus. Artikel-Nr. 5502477
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In English. Artikel-Nr. ria9781409421498_new
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. A collection of essays that places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts. Editor(s): Marrapodi, Professor Michele. Series Editor(s): Marrapodi, Professor Michele. Series: Anglo-Italian Renaissance Studies. Num Pages: 338 pages, Includes 6 b&w illustrations. BIC Classification: 2AB; DSGS. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 161 x 30. Weight in Grams: 784. . 2011. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781409421498
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. new edition edition. 338 pages. 9.25x6.25x1.25 inches. In Stock. Artikel-Nr. x-140942149X
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