In An Introduction to Kant’s Aesthetics, Christian Wenzel discusses and demystifies Kant's Critique of the Power of Judgment, guiding the reader each step of the way and placing key points of discussion in the context of Kant's other work.
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Christian Helmut Wenzel is Associate Professor at the National Chi Nan University in Taiwan. He is the author of The Problem of Subjective Universality of the Judgment of Taste in Kant,published in German (2000).
Kant’s Critique of the Power of Judgment is one of the most important and enduring contributions to philosophical aesthetics. It is also notoriously difficult. In An Introduction to Kant’s Aesthetics, Christian Wenzel discusses and demystifies this seminal work, guiding the reader each step of the way, placing key points of discussion in the context of Kant’s other work.
The starting point of Kant’s aesthetics, and Wenzel’s treatment, is the observation that aesthetic judgments seem to hover uneasily between subjective and objective domains. On the one hand, there appear to be standards of taste, such that aesthetic judgments demand some kind of consensus; on the other hand, there simultaneously seem to exist no specific rules governing what is beautiful. Beginning with this premise, Kant delineates four moments of aesthetic judgment, considers the question of the beautiful, the sublime, and the ugly, and from this groundwork creates a new philosophical theory that reveals the essence of taste, and much else, about human nature besides.
Wenzel artfully guides readers through Kant’s work with thoroughness and clarity, making Kant’s aesthetics accessible to newcomers and more rewarding for those returning to the subject.
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Zustand: New. * Discusses and demystifies Kant's Critique of the Power of Judgment and connects it to Kant's other relevant work. * Explains difficult concepts in plain language, using numerous examples and a helpful glossary. * Proceeds in the same order as Kant's text for ease of reference and comprehension. Num Pages: 208 pages, 0. BIC Classification: HPCD; HPN. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 11. Weight in Grams: 294. . 2005. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781405130363
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Paperback. Zustand: Gut. XIII, 183 p. Aus der Arbeitsbibliothek von Günter Abel, emer. Professor für Philosophie an der TU Berlin / From the working library of Günter Abel, emer. Professor of Philosophy at the TU Berlin. - An good and clean copy. - Mit Autorenwidmung für Günter Abel im Vorsatz / With author dedication for Günter Abel. - Contents Foreword by Henry E. Allison Acknowledgments About This Book Note on the Translation Introduction The Aesthetic Dimension Between Subject and Object The Meaning of "Aesthetic" Categories as a Guide The "Moments" of a Judgment of Taste I Disinterestedness: First Moment Disinterestedness as a Subjective Criterion Three Kinds of Satisfaction: Agreeable, Beautiful, Good 2 Universality: Second Moment The Argument from Self-Reflection: Private, Public, Universal Subjective Universality A Case of Transcendental Logic Singular "but" Universal How to Read Section 9 3 Purposiveness: Third Moment Purpose without Will, Purposiveness without Purpose Purposiveness and Form: Charm versus Euler Of "Greatest Importance": Beauty and Perfection Beauty: Free, Dependent, and Ideal 4 Necessity: Fourth Moment Exemplary Necessity Kant's Interpretation of the sensus communis The Deduction 5 Fine Art, Nature, and Genius Fine Art and Why It Must Seem like Nature Genius and Taste Genius and Aesthetic Ideas 6 Beyond Beauty The Sublime Beauty as the Symbol of Morality The Analytic, the Dialectic, and the Supersensible 7 Two Challenges Can Kant's Aesthetics Account for the Ugly? Can there be Beauty and Genius in Mathematics? Summary and Overview Before Kant Kant's Aesthetics After Kant Glossary Bibliography Index. ISBN 9781405130363 Sprache: Englisch Gewicht in Gramm: 294. Artikel-Nr. 1232517
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