Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O’Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal that being merely Caucasian is insufficient to claim Southern Whiteness.
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JOHN N. DUVALL is Professor of English at Purdue University, USA. He is author of Faulkner's Marginal Couple: Invisible Outlaw, and Unspeakable Communities, The Identifying Fictions of Toni Morrison: Modernist Authenticity and Postmodern Blackness, and editor or co-editor of Modern Fiction Studies, Productive Postmodernism: Consuming Histories and Cultural Studies, Faulkner and Postmodernism, Approaches to Teaching DeLillo's White Noise, and the Cambridge Companion to Don DeLillo.
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