Published in association with the Huntington Library, Theorizing Practice is a series of essays by several of the most significant figures in the field present a wide-ranging interrogation of the practice of theatre history studies at the present time, ra
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SUSAN BENNETT University Professor and Professor of English at the University of Calgary, Canada UNA CHAUDHURI Professor of English and Drama at New York University, USA SUSAN LEIGH FOSTER Professor in the World Arts and Cultures Program at UCLA, USA BARBARA HODGDON Adjunct Professor of English and Theatre at the University of Michigan, USA DENNIS KENNEDY Samuel Beckett Professor of Drama and Head of the School of Drama in Trinity College, Dublin LOREN KRUGER Teaches at the University of Chicago, USA THOMAS POSTLEWAIT Professor of Theatre at Ohio State University, USA JOSEPH ROACH Charles C. and Dorothea S. Dilley Professor of Theatre at Yale, USA FREDDIE ROKEM Dean of the Faculty of the Arts and Professor of Theatre Studies at Tel Aviv University, Israel
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781403907943. Artikel-Nr. 9715857
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Paperback. Zustand: Brand New. 257 pages. 9.00x6.00x0.75 inches. In Stock. Artikel-Nr. x-1403907943
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Zustand: New. Editor(s): Worthen, W. B.; Holland, Peter. Series: Redefining British Theatre History. Num Pages: 257 pages, biography. BIC Classification: 2AB; AN; DSB; DSG; HBAH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 140 x 14. Weight in Grams: 496. . 2003. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781403907943
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Taschenbuch. Zustand: Neu. Neuware - In a series of essays, several of the most significant figures in the field present a wide-ranging interrogation of the practice of theatre history studies at the present time, raising questions of history and historiography; the bearing of national, sexual, and racial identity on the canons of theatre history; the limits of print and the history of non-textual forms of performance; the intersections between theatre and other forms of commodification; and even the work of performance at the borders of the human. Artikel-Nr. 9781403907943
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