A follow-up to Finn is presented from the viewpoints of alternating narrators and traces the story of two elderly upstate New York farmers whose hardscrabble rural life is brought into question after their older brother dies in his sleep.
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Born and raised in the remote heart of upstate New York, Jon Clinch has been an English teacher, a metalworker, a folksinger, an illustrator, a typeface designer, a housepainter, a copywriter, and an advertising executive. Teaching and advertising took him south to the suburbs of Philadelphia for many years, and only with the publication of Finn, his first novel, was he able to return to the kind of rural surroundings he’d loved from the start: This time, in the Green Mountains of Vermont. He is married to novelist Wendy Clinch, and they have one daughter.
1990
My brother Vernon went on ahead. I woke up and felt for him but the bed was dry and my brother Creed was already up. He had his overalls on and he was telling me that I had to get up too because it was after fourthirty and the cows wouldn’t wait. The bed was cold but it was dry. My brother Vernon was still in it and he was cold like the bed was since he had gone on. That left me here with Creed. It made me the oldest.
Preston
I wouldn’t have been surprised if we’d lost the both of them at the same time. Vernon and Audie I mean. That’s how close they’ve been ever since they were boys. Vernon would lead the way and Audie would follow right along behind. Not that they were two peas in a pod, not by any means. Vernon was the brains of the operation and Audie had problems. Has problems.
I was sitting in the kitchen with my coffee and down the hill Creed opened the barn door the way he always does first thing, but instead of opening it and looking at the day and then going right back in he kept coming. I’ve known those boys since they were boys, I’ve lived right here alongside their place since the thirties, and they’ve always run in the same track. Everything goes the same today as it went yesterday. That’s how it is around a farm. A farm is the master of you and not the other way around. So when Creed opened the barn door and came out and kept on coming instead of going back in, I knew something wasn’t right. I believe I stood up at the kitchen table and said so to Margaret. I said something wasn’t right.
He was coming across the field toward our place and I guessed by how he was coming that it’d be a good idea to meet him halfway if I could. I put my coffee cup down and I went out onto the porch and then I came back in to put my coat on because it was cooler outdoors than I’d expected it to be and I guessed I might be out there for a while. Creed had on that old wool coat of his that’s torn up the back and covered all over with cow manure. It’s either his coat or Vernon’s. I can never remember. They all swap things around. It’s the way they were brought up. Anyway he was wearing the wool coat. That house of theirs doesn’t have anything much in the way of insulation, so they probably have a better idea of the weather out- doors than we do. That’s why I had to go back in for a coat of my own. Outdoors is no different from indoors to them, except outdoors there’s more breeze and it smells better. Even in the barnyard. I don’t know if he slept in that coat or not but he might have.
That poor old boy looked like he was about to have a heart attack and I was glad I’d gone out so he didn’t have to keep coming up the hill. “Vernon died in the night,” he said. He was shaking a little, like he was about to have a fit. I’m no doctor but that’s how it seemed. A doctor might tell you something else, or put it another way. “My brother’s awful cold,” he said.
So we went down. I got him turned back around and we went down the hill and in through the barn instead of up on the porch and in by the front door. Not that I think they ever lock that front door. I don’t guess those boys ever owned a lock other than the one on that room they closed off thirty years ago. Why would they? But we didn’t go in the front door anyhow. We cut straight through the barn. The cows were coming in all by themselves and they were complaining the way they will, but they were going to have to wait.
The house has just the one room that they use. Audie was on the floor and Vernon was in the bed. I wouldn’t say he was cold but he wasn’t much better than room temperature. It seemed to me he was stiffening up some. Creed didn’t seem to mind my touching him, but I minded it enough for both of us. I’ve been around death enough that it ought not to bother me, but now that I’m getting nearer to it myself it’s different. It’s different for an old man.
Audie was the one who needed a hand. He was curled up in a ball in his long johns and he was shaking all over like he was freezing to death. Moving all over, every part of him, the way his brother Creed had done outdoors but worse. Audie will do that some anyhow, just as a regular thing, but this was worse than usual. I said his name and he didn’t say anything back. I got down on my hands and knees in front of him and I looked at him hard and I said his name louder. I made an effort to kind of bark it, the way Vernon used to when he wanted to get his attention. I slapped the floor with the flat of my hand and a cloud of dust rose up and I got a splinter but never mind that. He heard me and his eyes popped opened wide and he looked at me like he’d seen a ghost. Or like I was the ghost and he was looking straight through me at something else. Maybe Vernon, up there on the bed. Audie’s pretty near blind and one of his eyes is clouded over some, but I’ve never seen anything so blue.
Audie
When I came out onto the front porch they were turning.
A little wind had come up and they were all faced in the same direction and they were turning. I couldn’t see them all that clear but I could hear every one separate. They all make a different sound. Every one. I didn’t make them that way on purpose, but that’s how they come out. They can’t help it and I couldn’t help it either. They come out how they come out.
Vernon says they’re like children that way. They were turning in the little wind and I listened to them turn and I felt some better.
Donna
It was Margaret who thought to call the sister.
Margaret Hatch, who’d watched from her kitchen window as her husband walked down the hill between the houses and who’d kept watching when he didn’t come back. Margaret, who’d watched as the sun came up and the shadow of her house gathered itself and pushed down the hill to poke at the Proctor boys’ barn, and who’d moved with her coffee out onto the screen porch to keep on watching as the shadow withdrew a little and the heat of the day began to rise and the state trooper’s patrol car came roaring up the dirt lane.
She figured the boys’ telephone must work or else they couldn’t have called the troopers, but she didn’t figure they would think to call Donna. She was right. She looked up the number and stood in the kitchen and dialed. She wished she had a cigarette, and the idea of it surprised her completely. She hadn’t smoked since Harry Truman, but she thought that right now a cigarette might be just the thing to calm her nerves.
The house smelled like cow manure and dry rot and spoiled food. Like tobacco and burnt rope and rat droppings. Like old men and sickness and death. Del Graham was the captain and he arrived first. He walked past the old man who sat rocking on the porch with his long white beard pooling in his lap and his hands knotted over his hairless skull, and he went through the open front door as into a mouth full of rotted teeth. The disarray and the stink. The order and the purposefulness gone to no use...
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