In Alice Munro’s superb new collection, we find stories about women of all ages and circumstances, their lives made palpable by the subtlety and empathy of this incomparable writer.
The runaway of the title story is a young woman who, though she thinks she wants to, is incapable of leaving her husband. In “Passion,” a country girl emerging into the larger world via a job in a resort hotel discovers in a single moment of stunning insight the limits and lies of that mysterious emotion. Three stories are about a woman named Juliet–in the first, she escapes from teaching at a girls’ school into a wild and irresistible love match; in the second she returns with her child to the home of her parents, whose life and marriage she finally begins to examine; and in the last, her child, caught, she mistakenly thinks, in the grip of a religious cult, vanishes into an unexplained and profound silence. In the final story, “Powers,” a young woman with the ability to read the future sets off a chain of events that involves her husband-to-be and a friend in a lifelong pursuit of what such a gift really means, and who really has it.
Throughout this compelling collection, Alice Munro’s understanding of the people about whom she writes makes them as vivid as our own neighbors. Here are the infinite betrayals and surprises of love–between men and women, between friends, between parents and children–that are the stuff of all our lives. It is Alice Munro’s special gift to make these stories as vivid and real as our own.
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Alice Munro grew up in Wingham, Ontario, and attended the University of Western Ontario. She has published ten previous collections of stories–Dance of the Happy Shades; Something I’ve Been Meaning to Tell You; The Beggar Maid; The Moons of Jupiter; The Progress of Love; Friend of My Youth; Open Secrets; her Selected Stories; The Love of a Good Woman; and Hateship, Friendship, Courtship, Loveship, Marriage–as well as a novel, Lives of Girls and Women. During her distinguished career she has been the recipient of many awards and prizes, including three of Canada’s Governor General’s Literary Awards and its Giller Prize, the Rea Award for the Short Story, the Lannan Literary Award, England’s W. H. Smith Book Award, and the United States’ National Book Critics Circle Award. Her stories have appeared in The New Yorker, The Atlantic Monthly, The Paris Review, and other publications, and her collections have been translated into thirteen languages.
Alice Munro and her husband divide their time between Clinton, Ontario, near Lake Huron, and Comox, British Columbia.
Alice Munro’s Hateship, Friendship, Courtship, Loveship, Marriage; The Love of a Good Woman; Selected Stories; Open Secrets; The Progress of Love; and Lives of Girls and Women are available in Vintage paperback.
Carla heard the car coming before it topped the little rise in the road that around here they called a hill. It’s her, she thought. Mrs. Jamieson—Sylvia—home from her holiday in Greece. From the barn door—but far enough inside that she could not readily be seen—she watched the road Mrs. Jamieson would have to drive by on, her place being half a mile farther along the road than Clark and Carla’s.
If it was somebody getting ready to turn in at their gate it would be slowing down by now. But still Carla hoped. Let it not be her.
It was. Mrs. Jamieson turned her head once, quickly—she had all she could do maneuvering her car through the ruts and puddles the rain had made in the gravel—but she didn’t lift a hand off the wheel to wave, she didn’t spot Carla. Carla got a glimpse of a tanned arm bare to the shoulder, hair bleached a lighter color than it had been before, more white now than silver-blond, and an expression that was determined and exasperated and amused at her own exasperation—just the way Mrs. Jamieson would look negotiating such a road. When she turned her head there was something like a bright flash—of inquiry, of hopefulness—that made Carla shrink back.
So.
Maybe Clark didn’t know yet. If he was sitting at the computer he would have his back to the window and the road.
But Mrs. Jamieson might have to make another trip. Driv- ing home from the airport, she might not have stopped for groceries—not until she’d been home and figured out what she needed. Clark might see her then. And after dark, the lights of her house would show. But this was July, and it didn’t get dark till late. She might be so tired that she wouldn’t bother with the lights, she might go to bed early.
On the other hand, she might telephone. Any time now.
This was the summer of rain and more rain. You heard it first thing in the morning, loud on the roof of the mobile home. The trails were deep in mud, the long grass soaking, leaves overhead sending down random showers even in those moments when there was no actual downpour from the sky and the clouds looked like clearing. Carla wore a high, wide-brimmed old Australian felt hat every time she went outside, and tucked her long thick braid down her shirt.
Nobody showed up for trail rides, even though Clark and Carla had gone around posting signs in all the camping sites, in the cafes, and on the tourist office billboard and anywhere else they could think of. Only a few pupils were coming for lessons and those were regulars, not the batches of schoolchildren on vacation, the busloads from summer camps, that had kept them going through last summer. And even the regulars that they counted on were taking time off for holiday trips, or simply cancelling their lessons because of the weather being so discouraging. If they called too late, Clark charged them for the time anyway. A couple of them had complained, and quit for good.
There was still some income from the three horses that were boarded. Those three, and the four of their own, were out in the field now, poking around in the grass under the trees. They looked as if they couldn’t be bothered to notice that the rain was holding off for the moment, the way it often did for a while in the afternoon. Just enough to get your hopes up—the clouds whitening and thinning and letting through a diffuse brightness that never got around to being real sunshine, and was usually gone before supper.
Carla had finished mucking out in the barn. She had taken her time—she liked the rhythm of her regular chores, the high space under the barn roof, the smells. Now she went over to the exercise ring to see how dry the ground was, in case the five o’clock pupil did show up.
Most of the steady showers had not been particularly heavy, or borne on any wind, but last week there had come a sud- den stirring and then a blast through the treetops and a nearly horizontal blinding rain. In a quarter of an hour the storm had passed over. But branches lay across the road, hydro lines were down, and a large chunk of the plastic roofing over the ring had been torn loose. There was a puddle like a lake at that end of the track, and Clark had worked until after dark, digging a channel to drain it away.
The roof had not yet been repaired. Clark had strung fence wire across to keep the horses from getting into the mud, and Carla had marked out a shorter track.
On the Web, right now, Clark was hunting for someplace to buy roofing. Some salvage outlet, with prices that they could afford, or somebody trying to get rid of such material secondhand. He would not go to Hy and Robbert Buckley’s Building Supply in town, which he called Highway Robbers Buggery Supply, because he owed them too much money and had had a fight with them.
Clark had fights not just with the people he owed money to. His friendliness, compelling at first, could suddenly turn sour. There were places he would not go into, where he always made Carla go, because of some row. The drugstore was one such place. An old woman had pushed in front of him—that is, she had gone to get something she’d forgotten and come back and pushed in front, rather than going to the end of the line, and he had complained, and the cashier had said to him, “She has emphysema,” and Clark had said, “Is that so? I have piles, myself,” and the manager had been summoned, to say that was uncalled-for. And in the coffee shop out on the highway the advertised breakfast discount had not been allowed, because it was past eleven o’clock in the morning, and Clark had argued and then dropped his takeout cup of coffee on the floor—just missing, so they said, a child in its stroller. He said the child was half a mile away and he dropped the cup because no cuff had been provided. They said he had not asked for a cuff. He said he shouldn’t have had to ask.
“You flare up,” said Carla.
“That’s what men do.”
She had not said anything to him about his row with Joy Tucker. Joy Tucker was the librarian from town who boarded her horse with them. The horse was a quick-tempered little chestnut mare named Lizzie—Joy Tucker, when she was in a jokey mood, called her Lizzie Borden. Yesterday she had driven out, not in a jokey mood at all, and complained about the roof’s not being fixed yet, and Lizzie looking miserable, as if she might have caught a chill.
There was nothing the matter with Lizzie, actually. Clark had tried—for him—to be placating. But then it was Joy Tucker who flared up and said that their place was a dump, and Lizzie deserved better, and Clark said, “Suit yourself.” Joy had not—or not yet—removed Lizzie, as Carla had expected. But Clark, who had formerly made the little mare his pet, had refused to have anything more to do with her. Lizzie’s feelings were hurt, in consequence—she was balky when exercised and kicked up a fuss when her hoofs had to be picked out, as they did every day, lest they develop a fungus. Carla had to watch out for nips.
But the worst thing as far as Carla was concerned was the absence of Flora, the little white goat who kept the horses company in the barn and in the fields. There had not been any sign of her for two days. Carla was afraid that wild dogs or coyotes had got her, or even a bear.
She had dreamt of Flora last night and the night before. In the first dream Flora had walked right up to the bed with a red apple in her mouth, but in the second dream—last night—she had run away when she saw Carla coming. Her leg seemed to be hurt but she ran anyway. She led Carla to a barbed-wire barricade of the kind that might belong on...
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Hardback. Zustand: Good. WINNER OF THE NOBEL PRIZE(R) IN LITERATURE 2013 This acclaimed, bestselling collection also contains the celebrated stories that inspired the Pedro Almod var film Julieta. Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro's hands, the people she writes about-women of all ages and circumstances, and their friends, lovers, parents, and children-become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own. Artikel-Nr. 00090703480
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Hardback. Zustand: Fair. WINNER OF THE NOBEL PRIZE(R) IN LITERATURE 2013 This acclaimed, bestselling collection also contains the celebrated stories that inspired the Pedro Almod var film Julieta. Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro's hands, the people she writes about-women of all ages and circumstances, and their friends, lovers, parents, and children-become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own. Artikel-Nr. 00091162025
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