MANHATTAN: An Archaeology presents Eileen R. Tabios' latest innovative approach to poetry-making. In this book, she uses a diverse set of "artifacts" to excavate a version of New York City's historical birthplace. Artifacts include the unexpected and the ineffable to create a city only she can imagine-while they include a pearl necklace, piece of pineapple skin, yoga mat, black sateen, and bullet, the "objects" for perusal also range over moonlight, "withheld forgiveness," and duende. The result, too, is unexpected and ineffable: Poetry that delights and intrigues. Some receptive readers will wake from the book missing something they hadn't realized they missed, longing for something they hadn't realized they desired.
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Eileen R. Tabios has released about 60 collections of poetry, fiction, essays, and experimental biographies from publishers in ten countries and cyberspace. PAGPAG: The Dictator's Aftermath in the Diaspora is her third fiction collection. She also recently finished her first long-form novel, DoveLion. Her wide-ranging body of work includes invention of the hay(na)ku, a 21st century diasporic poetic form (whose 15-year anniversary in 2018 was celebrated in the U.S. with exhibitions, a new anthology, and readings at the San Francisco and St. Helena Public Libraries) as well as a first poetry book, Beyond Life Sentences, which received the Philippines' National Book Award for Poetry. Translated into ten languages, she has edited, co-edited or conceptualized 15 anthologies of poetry, fiction and essays. Her writing and editing works have received recognition through awards, grants and residencies. More information is available at http://eileenrtabios.com
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