The first academic work to present design exhibitions as an important means of international exchange in terms of culture, diplomacy and 'soft power'.
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Harriet Atkinson is a historian of design and culture, and Researcher at the Centre for Design History at the University of Brighton, UK. She is currently Principal Investigator on the Arts and Humanities Research Council-funded project, '"The Materialization of Persuasion": Modernist Exhibitions in Britain for Propaganda and Resistance, 1933 to 1953' and has written extensively on the history and theory of exhibitions. She is the author of Festival of Britain (Bloomsbury, 2012) and co-editor, with Jeremy Aynsley, of The Banham Lectures (Bloomsbury, 2009), and with Verity Clarkson and Sarah A. Lichtman, of Exhibitions Beyond Boundaries (Bloomsbury, 2022).
Verity Clarkson is a design historian and Senior Lecturer at the University of Brighton, UK. Her research explores post-war visual and material culture, investigating transnational connections between arts organizations, government bodies and audiences with a particular focus on the organization and reception of exhibitions. She has published on post-1945 exhibitions, trade fairs and art historiography in the context of British Cold War cultural diplomacy. She is co-editor, with Harriet Atkinson and Sarah A. Lichtman, of Exhibitions Beyond Boundaries (Bloomsbury, 2022).
Sarah A. Lichtman is Assistant Professor of Design History at Parsons School of Design, The New School, USA, where she directs the Master of Arts program in the History of Design and Curatorial Studies, offered in affiliation with Cooper Hewitt, Smithsonian Design Museum in New York, USA. She is co-editor, with Pat Kirkham, of Screen Interiors: From Country Houses to Cosmic Heterotopias (Bloomsbury, 2021); with Harriet Atkinson and Verity Clarkson, of Exhibitions Beyond Boundaries (Bloomsbury, 2022), and has published widely on design and gender. Lichtman is also currently Managing Editor of the Journal of Design History.
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