Adapting Chekhov in the 21st Century: Seven Contemporary Plays (Methuen Drama Play Collections) - Softcover

Über die Autorinnen und Autoren

RashDash is Abbi Greenland, Becky Wilkie and Helen Goalen, and is a company of performers, musicians and makers. Their works include LOOK AT ME DON'T LOOK AT ME (supported by Slung Low, Paines Plough, HOME and Theatre Clwyd), DON'T GO BACK TO SLEEP: THE LOCKDOWN ALBUM - a verbatim concept album made after interviewing 18 people from 12 countries in lockdown, THREE SISTERS (co-production with Royal Exchange Theatre, co-commissioned by The Yard, Tobacco Factory Theatres, The Old Vic, MAYK and Cambridge Junction), THE DARKEST CORNERS (a large scale, outdoor, headphone show for Transform Festival 2017), TWO MAN SHOW (made with Northern Stage and Soho Theatre, Edinburgh Fringe First Winner 2016, Stage Award for Acting Excellence, shortlisted for an Off West End Award), SNOW WHITE & ROSE RED (a Christmas show for Cambridge Junction, 2015 and Battersea Arts Centre, 2017), WE WANT YOU TO WATCH (by RashDash and Alice Birch, National Theatre and UK Tour, 2015), OH, I CAN'T BE BOTHERED (shortlisted for an Off West End Award, Soho Theatre, 2014), THE UGLY SISTERS (shortlisted for the Total Theatre Award for Experimentation and Innovation, Edinburgh Festival, 2012), DARK WOODS DEEP SNOW (a Christmas show written by Chris Thorpe and directed by Lorne Campbell for Northern Stage, 2013) THE FRENZY & SET FIRE TO EVERYTHING!!! (outdoor shows commissioned by Lyric Hammersmith, GDIF, Imagine Watford and Latitude), THE TWO GENTLEMEN OF VERONA (a collaboration with Matthew Dunster for The Royal and Derngate, Northampton, 2011), SCARY GORGEOUS (Edinburgh Fringe First Award winner 2011), ANOTHER SOMEONE (Fringe First award winner 2010), and THE HONEYMOON.

Dead Centre make things in theatres. Formed in Dublin in 2012 by Bush Moukarzel, Ben Kidd and Adam Welsh, Dead Centre's first project, Souvenir, was created in Dublin in 2012, and then toured to London and New York. Their second project, (S)quark! happened once in Dublin on Bloomsday, and once in Russia at the Tolstoy Estate. Lippy premiered at the Dublin Fringe Festival 2013 and won Best Production and Best Design at the Fringe Awards, and Best Production at the Irish Times Theatre Awards.

Born in Nigeria, Inua Ellams, MBE, is a poet, playwright & performer, graphic artist & designer. He is a Complete Works poet alumni and facilitates workshops in creative writing where he explores reoccurring themes in his work - Identity, Displacement and Destiny - in accessible, enjoyable ways for participants of all ages and backgrounds.

His awards include: Edinburgh Fringe First Award 2009, the Liberty Human Rights Award, The Live Canon International Poetry Prize, The Kent & Sussex Poetry Competition, Magma Poetry Competition, Winchester Poetry Prize, an Arts Council of England Award, a Wellcome Trust Award, A Black British Theatre Award and The Hay Festival Medal for Poetry. In June 2023, He was honoured with an MBE for Services To The Arts.

He has been commissioned by the Royal Shakespeare Company, National Theatre, Tate Modern, Louis Vuitton, Chris Ofili, BBC Radio & Television. His poetry books include Thirteen Fairy Negro Tales and Candy Coated Unicorn and Converse published Flipped Eye, The Wire-Headed Heathen by Akashic Books. His plays include Black T-shirt Collection, The 14th Tale, Barber Shop Chronicles and Three Sisters published by Oberon. He founded The Midnight Run (an arts-filled, night-time, urban walking experience.) The Rhythm and Poetry Party (The R.A.P Party) which celebrates poetry & hip hop, and Poetry + Film / Hack (P+F/H) which celebrates Poetry & Film.

Vinay Patel's debut play, True Brits, opened at the Edinburgh Fringe 2014, before transferring to the Bush Theatre and Vault Festival. His latest play, An Adventure, ran at the Bush in late 2018. His first piece for television, Murdered By My Father, won the Royal Television Society award for Best Single Drama and was nominated for three BAFTAs. Vinay was named a BAFTA Breakthrough Brit for his work.

He has since written for Paines Plough, ITV, Channel 4 and the BFI, as well as contributing to the bestselling collection of essays, The Good Immigrant. Most recently, Vinay wrote for the 11th and 12th series of Doctor Who - receiving a Hugo nomination - and is developing further projects for TV, theatre and film.

Simon Stephens began his theatrical career in the literary department of the Royal Court Theatre, where he ran its Young Writers' Programme. His plays for theatre include Bluebird (Royal Court Theatre) Herons (Royal Court Theatre, 2001); Port (Royal Exchange Theatre, Manchester, 2002); One Minute (Crucible Theatre, Sheffield, 2003 and Bush Theatre, London, 2004); Christmas (Bush Theatre, 2004); Country Music (Royal Court Theatre Upstairs, 2004); On the Shore of the Wide World (Royal Exchange Theatre and National Theatre, London, 2005); Motortown (Royal Court Theatre Downstairs, 2006); Pornography (Tricycle Theatre, London, 2009); Harper Regan (National Theatre, 2008); Sea Wall (Bush Theatre, 2009); Heaven (Traverse Theatre, 2009); Punk Rock (Lyric Hammersmith, London, 2009); The Trial of Ubu (Essen Schauspielhaus/Toneelgroep Amsterdam, 2010); A Thousand Stars Explode in the Sky (co-written with David Eldridge and Robert Holman; Lyric Hammersmith, London, 2010); Wastwater (Royal Court Theatre Downstairs, 2011); Morning (Lyric Hammersmith, 2012); an adaptation of A Doll's House (Young Vic, 2012); an adaptation of The Curious Incident of the Dog in the Night-Time (National Theatre, 2012); Blindsided (Royal Exchange, 2014); and Birdland (Royal Court, 2014). His radio plays include Five Letters Home to Elizabeth (BBC Radio 4, 2001) and Digging (BBC Radio 4, 2003). Awards include the Pearson Award for Best New Play, 2001, for Port; Olivier Award for Best New Play for On the Shore of the Wide World, 2005; and for Motortown German critics in Theater Heute's annual poll voted him Best Foreign Playwright, 2007. His adaptation of Curious Incident of the Dog in the Night-Time won the 2015 Tony Award for Best Play.