With stunning, previously unpublished installation shots, and a concise case study construction, this book alternates between exhibitions in Germany and Italy throughout the pivotal decade of the 1930s to demonstrate how fascist regimes relied on photographic spectacles to sell their perverse ideologies.
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Vanessa Rocco is Professor of Humanities & Fine Arts at Southern New Hampshire University, USA and former Associate Curator at the International Center of Photography (ICP), USA. She is co-editor of The New Woman International: Representations in Photography and Film from the 1870s to the1960s (2011). Rocco organized numerous exhibitions and publications at the ICP, including Louise Brooks and the 'New Woman' in Weimar Cinema (2007), Modernist Photography: Selections from the Daniel Cowin Collection (2005), and Expanding Vision: Moholy-Nagy's Experiments of the 1920s (2004). Her reviews and articles about photography and exhibitions have also appeared in numerous prestigious journals.
Vanessa can be reached by email (v.rocco@snhu.edu) or on Instagram (@vrocco814).
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 210 pages. 9.21x6.14x1.00 inches. In Stock. Artikel-Nr. 1350284246
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