This book plots the conflicts and challenges faced by the Metropolitan Museum of Art as it brought art to the masses in postwar America, detailing the history of its highly successful popular art publications between 1948 and 1962.
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Mitchell B. Frank is the author of German Romantic Painting Redefined (2001) and Central European Drawings from the National Gallery of Canada (2007). He co-edited German Art History and Scientific Thought (2012) and History and Art History: Looking Past Disciplines (2020).
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. HU-9781350277274
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland. Artikel-Nr. V9781350277274
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Anbieter: moluna, Greven, Deutschland
Gebunden. Zustand: New. Über den AutorMitchell B. Frank is the author of German Romantic Painting Redefined (2001) and Central European Drawings from the National Gallery of Canada (2007). He co-edited German Art History and Scienti. Artikel-Nr. 579158842
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - This book explores the collaborations, during the mid-20th century, between the Metropolitan Museum of Art and the Book-of-the-Month Club. Between 1948 and 1962 the two institutions collaborated on three book projects-The Metropolitan Museum of Art Miniatures (1948-1957), The Metropolitan Seminars in Art (1958-60), and a print reproduction of Rembrandt's Aristotle Contemplating the Bust of Homer (1962)-bringing art from the Met's collections right into the homes of subscribers.The Met and the Masses places these commercial enterprises in a variety of contemporary and historical contexts, including the relation of cultural education to democracy in America, the history of the Met as an educational institution, the rise of art education in postwar America, and the concurrent transformation of the home into a space that mediated familial privacy and the public sphere.Using never before published archival material, the book demonstrates how the Met sought to bring art to the masses in postwar America, whilst upholding its reputation as an institution of high culture. It is essential reading for scholars, researchers and curators interested in the history of modern art, museum and curatorial studies, arts and cultural management, heritage studies, as well as the history of art publications. Artikel-Nr. 9781350277274
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