The first book to document the proliferation of Shakespeare online during the global pandemic of 2020-21, capturing the evolution of new forms of theatre, performance and screen adaptation.
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Gemma Allred is a doctoral researcher at the University of Neuchâtel, Switzerland. With Benjamin Broadribb she is the founder of the 'Action is Eloquence': (Re)thinking Shakespeare blog, which has published reviews and interviews relating to lockdown theatre since March (https://medium.com/action-is-eloquence-re-thinking-shakespeare / Twitter: https://twitter.com/rethinkingshax).
Benjamin Broadribb is a doctoral researcher at the Shakespeare Institute, University of Birmingham. With Gemma Allred he is the founder of the 'Action is Eloquence': (Re)thinking Shakespeare blog, which has published reviews and interviews relating to lockdown theatre since March (https://medium.com/action-is-eloquence-re-thinking-shakespeare / Twitter: https://twitter.com/rethinkingshax).
Erin Sullivan is Reader in Shakespeare at the Shakespeare institute, University of Birmingham, UK. She is the author of Shakespeare and Digital Performance in Practice (2022) and Beyond Melancholy: Sadness and Selfhood in Renaissance England (2016).
Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University Belfast, UK. His books include Shakespeare and World Cinema (2013), 'Hamlet' and World Cinema (2019), Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture (2002) and Filming Shakespeare in the Global Marketplace (2007; 2nd ed. 2012). He is series editor of the Arden Shakespeare series Shakespeare and Adaptation.
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