Using multimodal critical discourse studies (MCDS) this book critically examines the role of popular music in oppression, subversion and its part in populist movements in the socio-political context of present-day Turkey.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Lyndon C. S. Way is Lecturer in the Department of Communication and Media, School of the Arts, at the University of Liverpool, UK
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
EUR 5,76 für den Versand von Vereinigtes Königreich nach Deutschland
Versandziele, Kosten & DauerAnbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9781350118997_new
Anzahl: Mehr als 20 verfügbar
Anbieter: moluna, Greven, Deutschland
Zustand: New. Artikel-Nr. 260998966
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Popular music has long been used to entertain, provoke, challenge and liberate but also to oppress and control. Can popular music be political What types of popular music work best with politics How can songs, videos, concerts or any other musical commodity convey ideas about power, politics and identity Using Multimodal Critical Discourse Studies (MCDS), this book reveals the deeply political role played by popular music. Lyndon Way demonstrates how MCDS can provide important and timely insights on the political nature of popular music, due to its focus on how communication takes place, as well as its interest in discourse and how ideologies are naturalised and legitimised. The book considers the example of contemporary Turkish society, with its complex and deep ideological divisions increasingly obvious under the stewardship of President Recep Tayyip Erdogan and his centre-right political party, in power since 2002. It looks at how the authorities seek to harness and control popular music and considers a wide range of popular music genres including rock, rap, protest and folk music. It shows how official promotional videos, protest cut-and-paste offerings, party-political election songs, live music events and internet discussions about popular music emerge as sites of power and resistance in certain venues and particularly across social media. Throughout the book, Lyndon Way shows that popular music is also deeply political. Artikel-Nr. 9781350118997
Anzahl: 2 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 198 pages. 9.50x6.25x0.50 inches. In Stock. Artikel-Nr. x-1350118990
Anzahl: 2 verfügbar