Migrating Shakespeare is the first comparative study of inaugurative cultural and national encounters with Shakespeare, enabling a view of how in migration his plays have been variously instrumentalized, adopted and appropriated.
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Janet Clare is Emeritus Professor of Renaissance Literature at the University of Hull, UK, and is currently Research Professor in English at the University of Bristol, UK, and Research Fellow at the Institute of English Studies, University of London, UK.
Dominique Goy-Blanquet is Professor Emeritus at the Université de Picardie and member of the editorial board of En attendant Nadeau. Her works include Shakespeare's Early History Plays (Oxford UP, 2003), Shakespeare et l'invention de l'histoire (3rd ed. Garnier, 2014), Côté cour, côté justice: Shakespeare et l'invention du droit (Garnier, 2016), essays for Shakespeare Survey, Cambridge Companion, Moreana, Law and Humanities, the editions of Joan of Arc: A Saint for all Reasons (Ashgate, 2003), Richard Marienstras's posthumous Shakespeare et le désordre du monde (Gallimard, 2012), and with François Laroque Shakespeare, combien de prétendants ? (Thierry Marchaisse, 2016). Her Shakespeare in the Theatre: Patrice Chéreau, was published by Arden/Bloomsbury in 2018.
David Schalkwyk is Director of Research at the Folger Shakespeare Library, Washington D.C. and Professor of English at the University of Cape Town, South Africa. He is editor of Shakespeare Quarterly and his books include Speech and Performance in Shakespeare's Sonnets and Plays (2002), Literature and the Touch of the Real (2004), Shakespeare, Love and Service (2008).
Silvia Bigliazzi is Professor of English at Verona University, Italy, where she specializes in early modern English theatre, with a focus on Shakespeare. She has published two monographs - on Hamlet and on the idea of non-being, besides translations into Italian of a number of Shakespeare's plays, including the Arden edition of Double Falsehood edited by Brean Hammond.
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