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The Director and Directing: Craft, Process and Aesthetic in Contemporary Theatre - Softcover

Ledger, Adam J.

 
9781349681051: The Director and Directing: Craft, Process and Aesthetic in Contemporary Theatre
Softcover
ISBN 10: 1349681059 ISBN 13: 9781349681051
Verlag: Palgrave Macmillan, 2019

Inhaltsangabe

This book critically assesses the artistry of contemporary directors. Its discussion includes the work of Declan Donnellan, Thomas Ostermeier, Deborah Warner, Simon Stone and Krzysztof Warlikowski. Alongside the work of wider theorists (Patrice Pavis and Erika Fischer-Lichte), it uses neuroaesthetic theory (Semir Zeki) and cognitive and creative process models to offer an original means to discuss the performance event, emotion, brain structures and concepts, and the actor’s body in performance. It offers first-hand observation of rehearsals led by Katie Mitchell, Ivo van Hove, Carrie Cracknell and the Steppenwolf Theatre. It also explores devising in relation to the work of Simon McBurney and contemporary groups, and scenography in relation to the work of Dmitry Krymov, Robert Wilson and Robert Lepage. The Director and Directing argues that the director creates a type of knowledge, ‘reward’ and ‘resonant experience’ (G. Gabrielle Starr) through instinctive and expert choices.



              
      

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Über die Autorin bzw. den Autor

Adam J. Ledger is Reader in Theatre and Performance, University of Birmingham, UK. He has published widely on performance practice. His previous publications include Odin Teatret: Theatre in a New Century (Palgrave Macmillan) and chapters and articles on several international directors. He is co-artistic director of The Bone Ensemble.

Von der hinteren Coverseite

This book critically assesses the artistry of contemporary directors. Its discussion includes the work of Declan Donnellan, Thomas Ostermeier, Deborah Warner, Simon Stone and Krzysztof Warlikowski. Alongside the work of wider theorists (Patrice Pavis and Erika Fischer-Lichte), it uses neuroaesthetic theory (Semir Zeki) and cognitive and creative process models to offer an original means to discuss the performance event, emotion, brain structures and concepts, and the actor’s body in performance. It offers first-hand observation of rehearsals led by Katie Mitchell, Ivo van Hove, Carrie Cracknell and the Steppenwolf Theatre. It also explores devising in relation to the work of Simon McBurney and contemporary groups, and scenography in relation to the work of Dmitry Krymov, Robert Wilson and Robert Lepage. The Director and Directing argues that the director creates a type of knowledge, ‘reward’ and ‘resonant experience’ (G. Gabrielle Starr) through instinctive and expert choices.

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Verlag
Palgrave Macmillan
Erscheinungsdatum
2019
Sprache
Englisch
ISBN 10 
1349681059
ISBN 13 
9781349681051
Einband
Taschenbuch
Auflage
1
Anzahl der Seiten
288
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