Excerpt from The Esoteric, Vol. 3: A Magazine of Advanced and Practical Esoteric Thought; From July 1889, to June 1890
When a given and particular one of the twelve possible harmonics of a fundamental tone characterizes and creates its corresponding definite emotional, mental, or physiological quality of that tone, the variations in degree and intensity of that emotional, or other quality, are produced by corresponding variations in the relative amplitude and volume of that dominant harmonic, as compared to that of the fundamental tone.
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