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Beethoven's Piano-Playing, With an Essay on the Execution of the Trill: Written as an Introduction to a New Critical; Edition of Beethoven's Piano-Forte Concertos (Classic Reprint) - Softcover
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Excerpt from Beethoven's Piano-Playing, With an Essay on the Execution of the Trill
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Excerpt from Beethoven's Piano-Playing, With an Essay on the Execution of the Trill: Written as an Introduction to a New Critical; Edition of Beethoven's Piano-Forte Concertos
Life of Ludwig van Beethoven, by Alexander Wheelock Thayer. Edition in German, after the original manuscript, by H. Deiters in Bonn (according to the Preface). - Vol. I Berlin, Ferdinand Schneider; 1866. - Vol. II Berlin, W. Weber, 1872. - Vol. III (down to the year Berlin, do., 1879.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor
Excerpt from Beethoven's Piano-Playing, With an Essay on the Execution of the Trill: Written as an Introduction to a New Critical; Edition of Beethoven's Piano-Forte Concertos
Ludwig van Beethoven (born at Bonn, December 16, 1770) received his first instruction in piano-playing and on the violin from his father, the Electoral Court tenor singer, Johann van Beethoven, of Bonn [I, 111]. The latter - perhaps dazzled by the precocious successes of the youthful Mozart, or because frequent pecuniary straits rendered it desirable to turn Ludwig's musical talent to early account - appears to have urged his son, at a tender age, to severe piano-practice. Consequently, as early as March 26, 1778 (as per avertissement), if not even earlier, the latter was in a position to "have the honour to execute divers concertos at the Hall of the Musical Academy in the Sternengass [a street]" [II, 408-9]. In his ninth year, or thereabouts, his instruction was confided to the tenor singer (former musical director and oboist) Tobias Friedrich Pfeiffer, who is described as a finished pianist [I, 114, 344, 70], until P.'s departure from Bonn, i.e., for about one year. On the organ he was taught by van den Eeden, about 1780.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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