Sumerian Hymns (Classic Reprint): From Cuneiform Texts in the British Museum, Transliteration, Translation and Commentary: From Cuneiform Texts in the ... Translation and Commentary (Classic Reprint) - Softcover

Vanderburgh, Frederick Augustus

9781331985167: Sumerian Hymns (Classic Reprint): From Cuneiform Texts in the British Museum, Transliteration, Translation and Commentary: From Cuneiform Texts in the ... Translation and Commentary (Classic Reprint)

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ISBN 10: 1331985161 ISBN 13: 9781331985167

Verlag: Forgotten Books, 2018

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Excerpt from Sumerian Hymns

To aid the student in understanding better the character of the four gods whose hymns have been translated in the following Thesis, I here give a brief descriptive sketch of each of the deities whose praises were sung in the documents which I have chosen to render.

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Rese�a del editor

Excerpt from Sumerian Hymns: From Cuneiform Texts in the British Museum, Transliteration, Translation and Commentary

To aid the student in understanding better the character of the four gods whose hymns have been translated in the following Thesis, I here give a brief descriptive sketch of each of the deities whose praises were sung in the documents which I have chosen to render.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Rese�a del editor

Excerpt from Sumerian Hymns: From Cuneiform Texts in the British Museum, Transliteration, Translation and Commentary

The so-called "Sumerian Question" as to the genuine linguistic character of the ancient Non-Semitic Babylonian texts has agitated the Assyriological world for more than twenty years. The new Sumerian matter from the monuments which is constantly coming to hand demands, in the interest of all those who can look upon this discussion with impartial eyes, a most rigid and unprejudiced examination. Dr. Vanderburgh in the following monograph has adhered to the views expounded in my "Materials for a Sumerian Lexicon "(J. C. Hinrichs'sche Buchhandlung, 1905 - 1907), that the so-called Sumerian was originally a Non-Semitic agglutinative language which, in the course of many centuries of Semitic influences, became so incrusted with Semiticisms, most of them the result of a very gradual development of the earlier foreign sacred speech of the priests, that it is really not surprising to find the theory that Sumerian was merely a Semitic cryptography set forth and vigorously upheld by so eminent a scholar as Professor Halevy (MSL., pp. VIII, IX).

The study of the more ancient Non-Semitic texts, more particularly of the Sumerian unilingual hymns, cannot fail to shed additional light on the nature of this peculiar idiom, besides furnishing a valuable addition to the study of the Babylonian religious system.

The texts of the hymns in VoL XV. of the Brit. Mus. Cun. Texts are not always in good condition and present many difficulties, a solution of some of which, it is hoped, has been suggested in this work with at least approximate correctness.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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