Excerpt from Dramatic Scenes and Characters
Rule history is more important than poetry. Dismiss ing them, therefore, we come to the first English tragedy, Gorboduc, which was shown before the Queen's most excellent Majesty on the i8th of Janu ary, 1562, in her Highness' Court of Whitehall, by the Gentlemen of the Inner Temple. Many things went to the making of Gorboduc, the authors of which, Norton and Sackville, may be said to have been the first of a new race of poets, to whom was committed the torch of history lighted at the altar of antiquity by Geoffrey of Monmouth, and passed from hand to hand along the centuries, now flickering and now flaring triumphantly. The son of a small landed proprietor in Bedfordshire, a good scholar, and a zealous Protes tant, Norton entered himself in 1555 as a student of the Inner Temple. Born at Buckhurst, the son of a privy councillor and the daughter of a Lord Mayor, and connected with royalty through his grandmother, who was aunt to Anne Boleyn, the mother of Elizabeth, educated at Oxford, and later at Cambridge, where he received the degree of Master of Arts, Sackville also entered himself as a student of the Inner Temple, where he made the acquaintance of Norton. Both were young, and both addicted to letters, Norton to such serious walks as are implied in translating Cal vin's Institutes, and the Psalms in conjunction with Sternhold and Hopkins, and Sackville to the lighter walks implied in the composition of Latin and English verse.
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