Reseña del editor:
Excerpt from The Kadambari of Bana
Mahacveta should both be reunited with their lovers, and she stayed to tend the prince's body, from which a divine radiance proceeded; while King Tarapida gave Up his kingdom, and lived as a hermit near his son.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor:
Excerpt from The Kadambari of Bana
The story of Kādambarl is interesting for several reasons. It is standard example of. classical prose; it has enjoyed a long popularity as a romance; and it is one of the comparatively few Sanskrit works which can be assigned to a certain date, and so it can serve as a landmark in the history of Indian literature and Indian thought.
Bāinabhatta, its author, lived in the reign of Harshavardhana of Thrineyar, the great king mentioned in many inscriptions,- who extended his rule over the whole of Northern India, and from whose reign (a.d.606) dates the Harsha era, used in Nepal. Bana, as he tells us, both in the Harsha-Carita and in the introductory verses of Kadambarl, was a Vatsyayana Brahman.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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