The Structure of English Prose: A Manual of Composition and Rhetoric (Classic Reprint) - Softcover

McElroy, John George Repplier

9781330537282: The Structure of English Prose: A Manual of Composition and Rhetoric (Classic Reprint)

Softcover

ISBN 10: 1330537289 ISBN 13: 9781330537282

Verlag: Forgotten Books, 2018

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Excerpt from The Structure of English Prose: A Manual of Composition and Rhetoric

8. The truth of this statement will hardly be challenged by any one who reﬂects that the medium of communication is of secondary importance, - that the essential characteristic of.

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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Rese�a del editor

Excerpt from The Structure of English Prose: A Manual of Composition and Rhetoric

8. The truth of this statement will hardly be challenged by any one who reflects that the medium of communication is of secondary importance, - that the essential characteristic of.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Rese�a del editor

Excerpt from The Structure of English Prose: A Manual of Composition and Rhetoric

The teacher of Rhetoric has a double office. First, and chiefly, he must make writers; secondly, he must so exhibit the laws of his art as to promote mental discipline. In other words, he must be practical, without being a mere empiricist; he must be rational, without for an instant losing sight of skill in composition.

With these views in mind, I have tried to fill what seemed to me an empty place among books on Rhetoric. None of them, I thought, aimed at practical results, without sacrificing too far the principles of the art; none of them taught these principles in their fullness, without sacrificing in part or in whole the practical side of the work. I have aimed to strike the happy medium, - to make a book that shall teach composition while it forces the student to think, and shall exhibit the principles of the art at the same time that it keeps uppermost the problem How to Write. I have adopted Dr. Shedd's words quoted on my title-page, accepting fully the doctrine that Thought is more than Style, and modifying this doctrine by only one other truth - a truth to which Dr. Shedd would doubtless equally assent - that worthy thought deserves, as it promotes, an excellent form. This, by the way, is Herbert Spencer's opinion, too. Though he extols practice, he adds, "Never with the principles of style. If in no other way, yet, as facilitating revision, a knowledge of the thing to be achieved - a clear idea of what constitutes a beauty, and what a blemish - can not fail to be of service."

I have also tried to exhibit the laws of Rhetoric in their entirety, - not the laws of Style alone, but also those of Invention. However we may quibble about that word Invention in its rhetorical sense, Rhetoric does teach other laws than those of Form; and these laws must be exhibited, if the art is to be taught fully. I admit freely that, in a book whose chief aim is skill in composition, Invention will occupy a considerably less number of pages than Style; and, hence, even after saying what I have said of the superior importance of Invention [� 32], I have given by far the greater portion of my whole space to Style.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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