Lodore (Classic Reprint)

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9781330409664: Lodore (Classic Reprint)

Excerpt from Lodore

Yet an obscure fate pursued the house of Fitzhenry,-even in its ennobled' condition. The new lord was proud of his elevation, as a merited reward but neat to the deck of his ship, he loved the tranquil precincts of his pater nal mansion, and here he spent his latter days in peace. Midway in life, he had married the daughter of the rector of Longfield. Various fates had attended the offspring s gini'on several died, and at the time of his being created a peer, Lor Ledere found himself a widower, with two children - Elizabeth, who had been born twelve years before, and Henry, whose recent birth had cost the life of his hapless and lamented mother.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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About the Author:

Mary Shelley (1797-1851), the only daughter of writers William Godwin and Mary Wollstonecraft, and wife of Percy Bysshe Shelley, is the critically acclaimed author of Frankenstein, Valperga, and The Last Man, in addition to many other works. Mary Shelley s writings reflect and were influenced by a number of literary traditions including Gothic and Romantic ideals, and Frankenstein is widely regarded as the first modern work of science fiction. Today s scholarship of Mary Shelley s writings reveal her to be a political radical, as demonstrated though recurring themes of cooperation and sympathy, particularly among women, in her work, which are in direct conflict with the individual Romantic ideals of the eighteenth and nineteenth centuries.

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