Outlines of the History of Art, Vol. 2 of 2 (Classic Reprint) - Softcover

Excerpt from Outlines of the History of Art, Vol. 2 of 2

Thence it came about that the soul, desiring to take its living, personal part in the objects to be represented, began to contemplate religious subjects no longer for their piety alone, but as much on account of the purely artistic motives which they offered to the eye as for the sake of the deeply human truth and beauty which the heart recognized in them. Works of art were now produced to satisfy a strong instinct of the soul, a personal love for the beauitful and the sublime, and no longer simply to meet the needs of a church. N o wonder, then, if these creations laid claim to acceptance for their own sake, proclaiming as they did what is eternal in every human breast, not in compliance with a command of the Church, but urged by that inner voice, and so standing as equal revelations of the divine. On the other hand, however, Art held fast to the traditional subject matter and so retained an important advantage. She continued to be understood by the people at large, and was not limited, as in later times, to that narrow circle of culture on the heights of society, in whose refined and icy atmosphere her freedom is in danger of being stifled. And, besides, she was relieved of the strain of continually seeking after some new subject, and could devote her unbroken fresh ness to the theme already presented, and spend her whole force upon its artistic formation. In a word, she remained true to a circle of ideal conceptions - an inestimable advantage at a time when such powerful attractions toward the material, and toward cosmic realities, existed. Hence the realism of this epoch went to extremes only in exceptional cases; rather, as in the golden age of Grecian art, it brought about a compromise, in which an harmonious union of the ideal subject with a form true to nature was effected.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Outlines of the History of Art, Vol. 2 of 2

Cathedral of Amiens. Section, to show Construction of Vaulting, Ground-Plan of the Cathedral of Amiens, Moulding on Main Arch in the Choir of Cobgne Cathedral. Section, Window-Tracery of developed Gothic, Minster at Strasburg. Portion of Side. (From Dollinger.), Finial. Foundation-Church at Herrenberg, From the Sauite Chapelle. Paris, Facade of the Cathedral of Rheims, Interior of the Cathedral of Beauvais, Church of St. Madou at Rouen, Town Hall at Ypres (Ypem). Formerly Hall of the Cloth-makers, Town Hall at Oudenarde, The Church of St. Katharine at Oppenheim, Interior of the Church of St. Mary at Mühlhausen, Church of Our Lady at Esslingen, Gable from the Church of St. Stephen at Vienna, Town Hall at Münster, Hall of the Artushof at Danzig, Interior System of Wells Cathedral, Interior System of Worchester Cathedral, Facade of the Cathedral of Salisbury, Window, Section, and Pier of Exeter Cathedral, Pier from York Cathedral, From the Chapel of Henry VII. Westminster Abbey, Cathedral of Drontheim, St Peter's Church at Malmoe, Cathedral at Aarhuus, View of the Cathedral of Siena, Ground-Plan of San Petronio at Bologna, Church of La Certosa at Pavia, The Palazzo Buonsignori at Siena, The Cathedral at Burgos, Cathedral at Gerona, Northern Side Portal of the Cathedral of Paris, The Christ of the Cathedral of Amiens, Figures and Relief from the Cathedral at Rheims, Statues from the Minster at Strasburg, The Last Judgment. From the Frauenkirche at Esslingen, Tomb-Slab of Archbishop Peter von Aspelt. In the Cathedral at Mayence, Tomb-Slab of Duke Henry IV. In Breslau.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.