Inhaltsangabe
A STUDY OF THE TEXTILE ART IN ITS RELATION TO THE DEVELOPMENT OF FORM AND ORNAMENT BY WILLIAM H. HOLMES. This book, originally published as the Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution in 1884-'85, explores the intricate relationship between textile art, form, and ornament. The author delves into the evolution of textile design, from the basic geometric patterns resulting from construction to the more elaborate decorative motifs created through the interplay of color and relief. Through detailed analysis of various textile techniques such as weaving, netting, and embroidery, Holmes uncovers the underlying geometric system that governs textile ornamentation. The book showcases a series of examples, ranging from simple geometric patterns in coiled baskets to intricate designs in woven fabrics, illustrating how the fusion of form, color, and construction gives rise to unique and culturally significant textile art. Holmes emphasizes the importance of understanding the fundamental principles of esthetic development in textile art, drawing on examples from indigenous cultures to highlight the universal laws of evolution that shape artistic expression across civilizations. The middle of the book discusses the influence of textile art on other forms of art, such as pottery, sculpture, and wood carving. The geometric patterns and designs found in these arts are traced back to the textile system of ornamentation. The transfer of textile features to other art forms is shown through examples of pottery decorated with patterns derived from weaving, as well as wood carvings that mimic the geometric designs of textiles. The intricate geometric patterns seen in Polynesian wood carvings are attributed to the influence of textile art, as evidenced by the use of textile designs in their ceremonial objects. The chapter emphasizes the pervasive impact of textile art on various artistic expressions, highlighting the interconnectedness of different art forms and the transmission of decorative elements across mediums. The book explores the relationship between textile art and geometric ornamentation in various cultures, focusing on examples from indigenous American architecture. The author argues that textile art played a significant role in the evolution of decorative patterns, influencing other branches of art. The text is accompanied by illustrations of ornamentation from different tribes and regions, showcasing the intricate designs and color phenomena present in their artwork. The index at the end of the book provides a comprehensive list of illustrations and references to specific examples of ornamentation, allowing readers to further explore the connections between textile art and decorative motifs across different cultures.
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Über die Autorin bzw. den Autor
William Henry Holmes (1846-1933) was an American anthropologist, archaeologist, and museum director known for his contributions to the study of Native American cultures and art. Holmes's research focused on the relationship between art, culture, and evolution, with a particular interest in the development of form and ornamentation in textile art. His work at the Smithsonian Institution and the Bureau of Ethnology established him as a leading authority in the field of anthropology and art history.
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