The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.
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Philip Rupprecht is Associate Professor of Music at Duke University, North Carolina. He has published widely on twentieth-century British music and his books include Britten's Musical Language (Cambridge, 2002) and two edited volumes, Rethinking Britten (2013) and Tonality 1900-1950: Concept and Practice (2012). He is also the recipient of fellowships from the National Endowment for the Humanities, the National Humanities Center, and the Wolfe Institute, Brooklyn College.
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In English. Artikel-Nr. ria9781316649527_new
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop. Series: Music Since 1900. Num Pages: 508 pages, 13 b/w illus. 93 music examples. BIC Classification: ACV; ACX; AVA; AVGC6; AVGP; AVH; HBLW3; JFC; MQTC. Category: (P) Professional & Vocational. Dimension: 244 x 170 x 26. . . 2017. Reprint. paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781316649527
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. reprint edition. 492 pages. 9.25x6.50x1.00 inches. In Stock. Artikel-Nr. x-1316649520
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - British Musical Modernism explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity. Artikel-Nr. 9781316649527
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