Covering major playwrights including Ibsen, Brecht and Chekhov, William Storm presents a comprehensive investigation of irony's significance in the modern theatre.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
William Storm teaches dramatic literature, theory and theatre history at New Mexico State University. He is the author of After Dionysus: A Theory of the Tragic as well as numerous essays, articles and plays. His scholarly specializations include dramatic theory and dramaturgy, the history and theory of the tragic form and sensibility, art in relation to literature and performance, and connections of science with theatre and narrative studies.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9781316632413_new
Anzahl: Mehr als 20 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Covering major playwrights including Ibsen, Brecht and Chekhov, William Storm presents a comprehensive investigation of irony's significance in the modern theatre. Series: Cambridge Studies in Modern Theatre. Num Pages: 268 pages, black & white illustrations. BIC Classification: AN; DSG. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 14. Weight in Grams: 36. . 2017. paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781316632413
Anzahl: Mehr als 20 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 256 pages. 9.00x6.00x0.75 inches. In Stock. Artikel-Nr. x-1316632415
Anzahl: 2 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Irony and theatre share intimate kinships, not only regarding dramatic conflict, dialectic or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic, literary and philosophical contexts especially, is often regarded with skepticism - as ungraspable, or elusive to the point of confounding. Countering this tendency, William Storm advocates a wide-angle view of this master trope, exploring the ironic in major works by playwrights including Chekhov, Pirandello and Brecht, and in notable relation to well-known representative characters in drama from Ibsen's Halvard Solness to Stoppard's Septimus Hodge and Wasserstein's Heidi Holland. To the degree that irony is existential, its presence in the theatre relates directly to the circumstances and the expressiveness of the characters on stage. This study investigates how these key figures enact, embody, represent and personify the ironic in myriad situations in the modern and contemporary theatre. Artikel-Nr. 9781316632413
Anzahl: 1 verfügbar