The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars (Musical Performance and Reception) - Softcover
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A fresh look at the career of Nadia Boulanger, among the most influential musical figures of the entire twentieth century.
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Über die Autorin bzw. den Autor
Jeanice Brooks is Professor of Music at the University of Southampton. She has published extensively on French music and culture of the Renaissance and on domestic music-making in Britain around 1800, as well as on French musical culture between the wars. Her book on the strophic air de cour and court culture, Courtly Song in Late Sixteenth-Century France (2000) received the 2001 Roland H. Bainton prize for the best book of the year in music or art history.
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The Musical Work of Nadia Boulanger: Performing Past and Future between the Wars (Musical Performance and Reception)
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Cambridge University Press, 2016
ISBN 10: 131661638X
ISBN 13: 9781316616383
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The Musical Work of Nadia Boulanger (Musical Performance and Reception)
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The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars
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Paperback. Zustand: Brand New. 1st edition. 306 pages. 9.25x6.50x0.75 inches. In Stock. Artikel-Nr. x-131661638X
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Musical Performance and Reception: The Musical Work of Nadia Boulanger: Performing Past and Future between the Wars
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Zustand: New. A fresh look at the career of Nadia Boulanger, among the most influential musical figures of the entire twentieth century. Series: Musical Performance and Reception. Num Pages: 306 pages, 39 b/w illus. 17 music examples. BIC Classification: AVGC6; AVH. Category: (P) Professional & Vocational. Dimension: 171 x 244 x 21. Weight in Grams: 532. . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781316616383
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The Musical Work of Nadia Boulanger
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Nadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and shows how her ideas relate to broader currents in French aesthetics and culture. Artikel-Nr. 9781316616383
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