The multiple Locus Award-winning annual collection of the year's best science fiction stories.
In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self-evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year's Best Science Fiction: Thirty-Fifth Annual Collection, the very best SF authors explore ideas of a new world. This venerable collection brings together award-winning authors and masters of the field.
Featuring short stories from acclaimed authors such as Indrapramit Das, Nancy Kress, Alastair Reynolds, Eleanor Arnason, James S.A. Corey & Lavie Tidhar, an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.
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Gardner Dozois (1947-2018), one of the most acclaimed editors in science-fiction, won the Hugo Award for Best Editor 15 times. He was the editor of Asimov's Science Fiction Magazine for 20 years. He also served as the editor of The Year's Best Science Fiction anthologies and co-editor of the Warrior anthologies, Songs of the Dying Earth, and many others. As a writer, Dozois twice won the Nebula Award for best short story. He was inducted into the Science Fiction Hall of Fame in 2011 and received the Skylark Award for Lifetime Achievement. He lived in Philadelphia, Pennsylvania.
TITLE PAGE,
COPYRIGHT NOTICE,
PERMISSIONS,
ACKNOWLEDGMENTS,
SUMMATION: 2017,
THE MOON IS NOT A BATTLEFIELD • Indrapramit Das,
MY ENGLISH NAME • R. S. Benedict,
AN EVENING WITH SEVERYN GRIMES • Rich Larson,
VANGUARD 2.0 • Carter Scholz,
STARLIGHT EXPRESS • Michael Swanwick,
THE MARTIAN OBELISK • Linda Nagata,
WE WHO LIVE IN THE HEART • Kelly Robson,
WINTER TIMESHARE • Ray Nayler,
DEAR SARAH • Nancy Kress,
NIGHT PASSAGE • Alastair Reynolds,
THE DRAGON THAT FLEW OUT OF THE SUN • Aliette de Bodard,
WAITING OUT THE END OF THE WORLD IN PATTY'S PLACE CAFE • Naomi Kritzer,
THE HUNGER AFTER YOU'RE FED • James S. A. Corey,
ASSASSINS • Jack Skillingstead and Burt Courtier,
THE MARTIAN JOB • Jaine Fenn,
THE ROAD TO THE SEA • Lavie Tidhar,
UNCANNY VALLEY • Greg Egan,
THE WORDLESS • Indrapramit Das,
PAN-HUMANISM: HOPE AND PRAGMATICS • Jessica,
Barber and Sara Saab,
ZIGEUNER • Harry Turtledove,
THE PROVING GROUND • Alec Nevala-Lee,
ZEN AND THE ART OF STARSHIP MAINTENANCE • Tobias,
S. Buckell,
THE INFLUENCE MACHINE • Sean McMullen,
CANOE • Nancy Kress,
THE HISTORY OF THE INVASION TOLD IN FIVE DOGS • Kelly Jennings,
PRIME MERIDIAN • Silvia Moreno-Garcia,
TRICERATOPS • Ian McHugh,
MINES • Eleanor Arnason,
THERE USED TO BE OLIVE TREES • Rich Larson,
WHENDING MY WAY BACK HOME • Bill Johnson,
DEATH ON MARS • Madeline Ashby,
ELEPHANT ON TABLE • Bruce Sterling,
NUMBER THIRTY-NINE SKINK • Suzanne Palmer,
A SERIES OF STEAKS • Vina Jie-Min Prasad,
THE LAST BOAT-BUILDER IN BALLYVOLOON • Finbarr O'Reilly,
THE RESIDUE OF FIRE • Robert Reed,
SIDEWALKS • Maureen F. McHugh,
NEXUS • Michael F. Flynn,
HONORABLE MENTIONS: 2017,
ALSO BY GARDNER DOZOIS,
ABOUT THE EDITOR,
COPYRIGHT,
The Moon Is Not a Battlefield INDRAPRAMIT DAS
Indrapramit Das is a writer and artist from Kolkata, India. His short fiction has appeared in Clarkesworld, Asimov's Science Fiction, Apex Magazine, Redstone Science Fiction, The World SF Blog, Flash Fiction Online, and the anthology Breaking the Bow: Speculative Fiction Inspired by the Ramayana. He is a grateful graduate of the 2012 Clarion West Writers Workshop and a recipient of the Octavia E. Butler Memorial Scholarship Award. He completed his MFA at the University of British Columbia and currently lives in Vancouver, working as a freelance writer, artist, editor, game tester, tutor, would-be novelist, and aspirant to adulthood. Follow him on Twitter @IndrapramitDas.
In the story that follows, he paints an unsettling portrait of an injured soldier, hurt in combat on the Moon, who lives in poverty in a cardboard slum, his service seemingly forgotten by just about everybody ... including the force he served.
We're recording.
I was born in the sky, for war. This is what we were told.
I think when people hear this, they think of ancient Earth stories. Of angels and superheroes and gods, leaving destruction between the stars. But I'm no superhero, no Kalel of America- Bygone with the flag of his dead planet flying behind him. I'm no angel Gabreel striking down Satan in the void or blowing the trumpet to end worlds. I'm no devi Durga bristling with arms and weapons, chasing down demons through the cosmos and vanquishing them, no Kali with a string of heads hanging over her breasts black as deep space, making even the other gods shake with terror at her righteous rampage.
I was born in the sky, for war. What does it mean?
* * *
I was actually born on Earth, not far above sea level, in the Greater Kolkata Megapolis. My parents gave me away to the Government of India when I was still a small child, in exchange for enough money for them to live off frugally for a year — an unimaginable amount of wealth for two Dalit street-dwellers who scraped shit out of sewers for a living, and scavenged garbage for recycling — sewers sagging with centuries worth of shit, garbage heaps like mountains. There was another child I played with the most in our slum. The government took her as well. Of the few memories I have left of those early days on Earth, the ones of us playing are clearest, more than the ones of my parents, because they weren't around much. But she was always there. She'd bring me hot jalebis snatched from the hands of hapless pedestrians, her hands covered in syrup, and we'd share them. We used to climb and run along the huge sea-wall that holds back the rising Bay of Bengal, and spit in the churning sea. I haven't seen the sea since, except from space — that roiling mass of water feels like a dream. So do those days, with the child who would become the soldier most often by my side. The government told our parents that they would cleanse us of our names, our untouchability, give us a chance to lead noble lives as astral defenders of the Republic of India. Of course they gave us away. I don't blame them. Aditi never blamed hers, either. That was the name my friend was given by the Army. You've met her. We were told our new names before training even began. Single-names, always. Usually from the Mahabharata or Ramayana, we realized later. I don't remember the name my parents gave me. I never asked Aditi if she remembered hers.
That, then, is when the life of asura Gita began.
I was raised by the state to be a soldier, and borne into the sky in the hands of the Republic to be its protector, before I even hit puberty.
The notion that there could be war on the Moon, or anywhere beyond Earth, was once a ridiculous dream.
So are many things, until they come to pass.
I've lived for thirty-six years as an infantry soldier stationed off-world. I was deployed and considered in active duty from eighteen in the Chandnipur Lunar Cantonment Area. I first arrived in Chandnipur at six, right after they took us off the streets. I grew up there. The Army raised us. Gave us a better education than we'd have ever gotten back on Earth. Right from childhood, me and my fellow asuras — Earthbound Indian infantry soldiers were jawans, but we were always, always asuras, a mark of pride — we were told that we were stationed in Chandnipur to protect the intrasolar gateway of the Moon for the greatest country on that great blue planet in our black sky — India. India, which we could see below the clouds if we squinted during Earthrise on a surface patrol (if we were lucky, we could spot the white wrinkle of the Himalayas through telescopes). We learned the history of our home: after the United States of America and Russia, India was the third Earth nation to set foot on the Moon, and the first to settle a permanent base there. Chandnipur was open to scientists, astronauts, tourists and corporations of all countries, to do research, develop space travel, take expensive holidays and launch inter-system mining drones to asteroids. The generosity and benevolence of Bharat Mata, no? But we were to protect Chandnipur's sovereignty as Indian...
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