“What an astonishing collection! Provoking, ferocious, moving, splendid, generous and essential. I seemed to finish the book in a different world than the one in which I began it.”
—Kelly Link, author of Get In Trouble and Stranger Things Happen
In her mesmerizing debut, Shobha Rao recounts the untold human costs of one of the largest migrations in history.
1947: the Indian subcontinent is partitioned into two separate countries, India and Pakistan. And with one decree, countless lives are changed forever.
An Unrestored Woman explores the fault lines in this mass displacement of humanity: a new mother is trapped on the wrong side of the border; a soldier finds the love of his life but is powerless to act on it; an ambitious servant seduces both master and mistress; a young prostitute quietly, inexorably plots revenge on the madam who holds her hostage. Caught in a world of shifting borders, Rao’s characters have reached their tipping points.
In paired stories that hail from India and Pakistan to the United States, Italy, and England, we witness the ramifications of the violent uprooting of families, the price they pay over generations, and the uncanny relevance these stories have in our world today.
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SHOBHA RAO moved to the U.S. from India at the age of seven. She is the winner of the 2014 Katherine Anne Porter Prize in Fiction, awarded by Nimrod International Journal. She has been a resident at Hedgebrook and is the recipient of the Elizabeth George Foundation fellowship. Her story "Kavitha and Mustafa" was chosen by T.C. Boyle for inclusion in the Best American Short Stories 2015. She lives in San Francisco. An Unrestored Woman is her debut.
Title Page,
Copyright Notice,
Dedication,
Epigraph,
Author's Note,
An Unrestored Woman,
The Merchant's Mistress,
The Imperial Police,
Unleashed,
Blindfold,
The Lost Ribbon,
The Opposite of Sex,
Such a Mighty River,
The Road to Mirpur Khas,
The Memsahib,
Kavitha and Mustafa,
Curfew,
Glossary,
Acknowledgments,
About the Author,
Copyright,
An Unrestored Woman
Neela, on the night she learned of her husband's death, sat under the banyan tree outside their hut and felt an intense hunger. It was on the night of the train accident. No, not an accident, she corrected herself. Not at all. She felt this same hunger on her wedding day. She was thirteen years old and she sat on the altar wearing a sparkling red sari and the gold mangal sutra around her neck — thin, even by the reduced standards of the impoverished northern village — and tried desperately to silence her growling stomach.
The hunger on her wedding day might've been caused by the tempting mountains of food stacked around her. Fruits, coconuts, laddoos, twisted piles of orange jilebi. She'd never seen so much food; her mouth watered. She hadn't eaten since early morning and that had only been a meager helping of rice and buttermilk. Neela eyed the bananas and mangoes piled on the plate between her and the priest. He was reciting Sanskrit prayers. Her new husband, who sat beside her, wiry and dark like a dry summer chili, was turned away from her, talking to a man she didn't recognize. In truth she hardly even recognized her groom. Her red veil obscured him from view. Besides, she'd only seen him once before; she'd stolen a glimpse when he'd sat talking with her father, both of them bent and pecking over the details of her marriage like two crows over a piece of stale bread.
Her father had said it was a good match; he'd given her future husband — who was twenty-four years old and owned a tea shop catering to the commuter trains between Amritsar and Lahore — two cows, a trunk full of pots and pans, a bag of seed, and a green woolen blanket. Even the thickness of the gold necklace had been negotiated. Babu, her groom, had scowled at its flimsiness and had only been appeased when Neela's father had said, "Look. Look at that girl. Strong as an ox. She'll bear you no less than ten sons!"
Neela stared at the plate. She obviously couldn't eat one of the mangoes but why not a banana? If only she could sneak it from the plate then she could manage peeling it under her veil. Her bent head would hide the chewing. She extended an arm forward surreptitiously. Then a little farther. She sighed. It was just beyond her reach. Someone would notice. She pulled back, weak, hungrier than ever. The plump yellow of the bananas called to her. Their smooth skins were the edge of a sunrise. They were the voice of her mother. She'd died giving birth to Neela but Neela had imagined her voice many, many times, flawless and brave and cool like the banana skin. Just then the priest shifted his legs and jostled the plate. What luck! It bumped closer to Neela. This was her chance. Her arm darted out, plucked the outermost banana, and whisked it under her veil. The first bite slid down her throat and into her empty stomach. Her eyes widened with delight just as her husband's had when he'd opened the trunk full of glistening pots.
* * *
The details of the train wreck trickled down to Neela. First over the news wire, heard by the men of the village over the transistor radio in the home of Lalla, the village elder. Neela had once seen this famous radio — the only one among all of the neighboring villages. The smooth wooden box with the mysterious voices spilling out of it was placed on a high shelf and protected from dust and insects by a velvet cloth; even Lalla's wife was forbidden to touch it. He brought the news to her mother-in-law, whom Lalla came to see as soon as the news program ended, just before dinner. Neela was hungry; she was about to set out three plates when he told her the news. "Those ugly Muslims," he said. "They would torch a train full of children as long as they were Hindu." Her mother-in-law, nearly blind, kind and gentle compared to most mother-in-laws Neela had heard stories about, had only looked up at Lalla with her sad, unadorned eyes and said, "Every mother will tell you: that train was full of children."
The events, as Neela peeked from behind the bamboo screen separating the main room of the hut from the kitchen, followed many of the stories of madness in the months after Partition. The train had been traveling its western course, the last evening run to Lahore. Babu had gotten on with his kettle of tea at Wagah and that was the last anyone had seen of him. The train had been ambushed a few miles outside of Wagah by a horde of Muslim men. They'd torched each of the cars one by one, back to front, as if lighting a row of candles. "My son's body," Neela's mother-in-law asked slowly. Lalla shook his head. "They were laid out like rows of roasted corn," he said indecently. "No one can tell them apart." Then he rose to leave, handing her mother-in-law something Neela couldn't see. "Enough for both of you," he said, closing the door behind him.
* * *
The next morning Neela's mother-in-law bathed, dressed in a crisp white sari (the only color she was allowed to wear as a widow), and conducted her daily prayers while Neela heated water and the few drops of milk they could afford for tea. Then she waited. She was fifteen years old. And now she too was a widow.
Her mother-in-law, bent by a long and pitiless life, entered the kitchen. She sat in her usual corner on a thin reed mat and looked at Neela. Since Partition the cataracts in her gray eyes had ripened like winter squash, burrowing into the hollows of her wrinkled brown face. They brimmed now with tears. "My child," she whispered. Neela couldn't tell if she was referring to Neela or to some memory of her son. Then her mother-in-law reached up and brushed at Neela's face. The gesture was blunt, nearly cruel, but she managed to wipe the kumkum from Neela's forehead. The crimson powder drifted down and a few specks landed in Neela's cup. They floated on the surface like tiny red islands on a dirty sea.
"Finish your tea, beti," her mother-in-law said. "Then we'll take care of your hair." Neela nodded. She would soon be bald. She would never again be allowed to use kumkum or anything else to adorn her face. She would not be allowed to grow out her hair or go to the temple or to ever wear anything but white, the color of death. Even the thin gold mangal sutra she slid off her neck and handed to her mother-in-law, who buried it deep in the bag of rice for safekeeping. Though none of this Neela minded, not very much, not as much as she'd minded the nights with Babu.
* * *
They hadn't been so bad in the beginning. He'd seemed just as shy as she was when he'd reached for her in the dark. There had been blood and a little pain but that had soon passed. It was only after a few months that Babu had become rough. Tugging at her sari, pushing himself inside her, slapping her if she resisted. She knew it was her duty, a part of being an obedient wife, and she bore it without a word of complaint. But what she didn't understand was why he never spoke to her. Why he ate his dinner without a word. Even when the jasmine...
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