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Inhaltsangabe
The Technique Of The Modern Orchestra: A Manual Of Practical Instrumentation is a comprehensive guide to orchestration and instrumentation written by the French composer and organist, Charles-Marie Widor. Originally published in 1906, this book provides a detailed analysis of the various instruments that make up a modern orchestra, including strings, woodwinds, brass, percussion, and keyboards. Widor offers practical advice on how to write for each instrument, providing detailed descriptions of their ranges, timbres, and playing techniques.In addition to discussing individual instruments, Widor also covers topics such as orchestral balance, dynamics, and texture. He provides examples of orchestral scores and suggests ways to achieve specific effects through the combination of instruments. The book also includes a section on conducting, offering guidance on how to lead an orchestra effectively.The Technique Of The Modern Orchestra is a valuable resource for composers, arrangers, and conductors, as well as music students and enthusiasts. Its detailed and practical approach to orchestration and instrumentation has made it a classic reference work that continues to be relevant to modern music-making.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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Reseña del editor
This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Reseña del editor
Order of Chapters In the present work, the order in which the instruments are usually arranged in orchestral scores has been followed, beginning with the most acute-toned: / flutes, (Piccolo) I oboes, (Cor Anglais) (.CHAPTER i) < clarinets, (Bass Clarinet) / bassoons, (Double-Bassoon) V sarrusophone, Then, after a short Theory of the tone-production of Brass Instruments, the following are dealt with: HORNS, trumpets, (Cornets a Pistons) trombones, tubas, (Saxhorns) Next come (Chapter hi) The percussion instruments, Then, so to speak, in parentheses, t The saxophones, (Chapter iv) j The harp, (The ORGAN, (Chapter ii) And lastly, (Chapter v) The strings.
Table of Contents
Contents; PAUKM,; Chapter i the woodwind; The FLUTE11; List of Shakes autl Tremolos t»; Transfusing Flutes18; The PICCOLO1«; The OBOE20; List of Shakes and tremolos aa; Tile OBOE d'AMORESG; The COR ANGLAIS2fi; The BARYTONE OBOE27; Tie CLARINET23; List of Shakes and Tremolas 34; The ALTO CLARJNET37; The SMALL CLARLNET87; Tie BASS CLARINET37; The BASSOONao; List of Shakes$K; The BASS ON - QUINTE 47; The DOUBLfc-BASSOON'7; The SARRUSOPHOXEw; Shakes50; Chapter ii the brass instruments The Theory of their Tone-produc-; -Hon 51; The NATURAL HORN 50; Tie VALVE-HORN 57; Mutetl and Overblown Notes fifl; Shakes Gl; The Horn in the Orvhezlra 63; PAUKS; The NATURAL TRUMPET 6«; The VALVE-TRUMPET07; List of Shakes71; Muted Trumpets71; Tie BASS TRUMPET7a; The CORNET A PISTONS 75; The TROMBONES78; The TENOR TROMBONE78; The BASS TROMBONE87; The CONTRABASS TROMBONE oo; The SAXHORNS01; The SOPRANTNO SAXHORN Tie SOPRANO SAXHORN 92; The ALTO SAXHORN03; The BARYTONE SAXHORN 99; The BASS - TUBA04; The BOMBARDONoe; The CONTRABASS-TUBA 9G; Chapter m tjik percussion instruments; The KETTLE-DRUMSan; The SI 1>K DRUM106; Muffled Drums108; The TENOR DRUMms; The TAMBOURINE109; The TABOR109; The TRIANGLEno; CASTANETSna; The CYMBALSH3; ANCIENT CYMBALSm; vm; rvOBS; The B
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