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"The metaphor of camera as eye is fundamental to both everyday discussion as well as more academic theories of cinema: it is a pervasive metaphor through which we understand cinema on several levels. Christian Quendler’s detailed study of the camera-eye metaphor is therefore a significant and erudite contribution to scholarship. But, more than this, Quendler’s study takes a truly interdisciplinary approach to this metaphor. The Camera-Eye Metaphor in Cinema is not dogmatic in limiting itself to one or two theoretical positions; far from it. This book encompasses a broad array of theoretical approaches – from the philosophy of mind to art theory, narratology, and gender studies. It therefore has a potentially wide appeal, not only in film studies, but also cultural and media studies more generally." – Warren Buckland, Oxford Brookes University, UKReseña del editor:
This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?
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