This book provides the first comprehensive study of narco cinema, a cross-border exploitation cinema that, for over forty years, has been instrumental in shaping narco-culture in Mexico and the US borderlands. Identifying classics in its mammoth catalogue and analyzing select films at length, Rashotte outlines the genre's history and aesthetic criteria. He approaches its history as an alternative to mainstream representation of the drug war and considers how its vernacular aesthetic speaks to the anxieties and desires of Latina/o audiences by celebrating regional cultures while exploring the dynamics of global transition. Despite recent federal prohibitions, narco cinema endures as a popular folk art because it reflects distinctively the experiences of those uprooted by the forces of globalization and critiques those forces in ways mainstream cinema has failed.
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Ryan Rashotte is an indepedent scholar based in Canada. He received his PhD from the University of Guelph, Canada.
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Zustand: New. This book provides the first comprehensive study of narco cinema, a cross-border exploitation cinema that has been instrumental in shaping narco-culture in Mexico and the US borderlands. Identifying classics in its mammoth catalogue and analyzing select films at length, Rashotte outlines the genre's history and aesthetic criteria. Series: Latino Pop Culture. Num Pages: 214 pages, biography. BIC Classification: 1KLCM; APFN; JFCA; JFFH1. Category: (P) Professional & Vocational. Dimension: 146 x 222 x 17. Weight in Grams: 376. . 2015. 2015th Edition. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9781137501479
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book provides the first comprehensive study of narco cinema, a cross-border exploitation cinema that, for over forty years, has been instrumental in shaping narco-culture in Mexico and the US borderlands. Identifying classics in its mammoth catalogue and analyzing select films at length, Rashotte outlines the genre's history and aesthetic criteria. He approaches its history as an alternative to mainstream representation of the drug war and considers how its vernacular aesthetic speaks to the anxieties and desires of Latina/o audiences by celebrating regional cultures while exploring the dynamics of global transition. Despite recent federal prohibitions, narco cinema endures as a popular folk art because it reflects distinctively the experiences of those uprooted by the forces of globalization and critiques those forces in ways mainstream cinema has failed. Artikel-Nr. 9781137501479
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