A Companion to Roman Art (Blackwell Companions to the Ancient World) - Softcover

Über die Autorin bzw. den Autor

Barbara E. Borg is Professor of Classical Archaeology at the University of Exeter and Extraordinary Professor at Stellenbosch University. She has published widely on Greek and Roman art and archaeology. Her books include Mumienporträts: Chronologie und Kontext (1999), Der Logos des Mythos – Allegorien und Personifikationen in der frühen griechischen Kunst (2002), Crisis and ambition: tombs and burial customs in third-century CE Rome (2013), Roman tombs and the art of commemoration: contextual approaches to funerary customs in the second century CE (2019), and the edited volume Paideia: The World of the Second Sophistic (2004). She is the recipient of a number of awards and prizes, including a Getty Research Fellowship, a Senior Onassis Fellowship, the Hugh Last Fellowship at the British School at Rome, and a Leverhulme Major Research Fellowship.

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A COMPANION TO ROMAN ART
CONTRIBUTORS TO THIS VOLUME:

Mont Allen, Stefan Altekamp, Rosemary J. Barrow, Barbara E. Borg, Alessandra Bravi, Maureen Carroll, Francesco de Angelis, Simon Ellis, Jane Fejfer, Francisca Feraudi-Gruénais, Klaus Fittschen, Lauren Hackworth Petersen, Christopher H. Hallett, Tonio Hölscher, Peter J. Holliday, Natalie Kampen, Michael Koortbojian, Rachel Kousser, Kenneth Lapatin, Roger Ling, Katharina Lorenz, Susanne Muth, Richard Neudecker, Zahra Newby, Massimiliano Papini, Friederike Sinn, Roland R.R. Smith, Michael Squire, Edmund Thomas, Roger J.A. Wilson, Norbert Zimmermann

Roman art has become a valuable object of study, not only for its aesthetic qualities, but as a historical source in its own right. It provides us with insights into Roman self-perceptions, value systems, and ways of perceiving the world that complement information taken from written sources. In this Companion, the reader is introduced through Roman art to the daily Roman world, its preoccupations, and cultural characteristics.

These socio-historical aspects of Roman art require a contextualized approach, which addresses questions such as its physical and topographical contexts (houses and villas, tombs and public spaces, etc.), patronage and intentions, and the reception of art by various groups of viewers and users under various circumstances and conditions. The book includes sections focusing on methodology and approaches, genres, contexts of display and usage of art, and its modern reception and utilization. The authors are a global group of scholars, and their contributions reflect a diverse set of national academic traditions and approaches to our understanding of Roman art.

Aus dem Klappentext

A COMPANION TO ROMAN ART
CONTRIBUTORS TO THIS VOLUME:

Mont Allen, Stefan Altekamp, Rosemary J. Barrow, Barbara E. Borg, Alessandra Bravi, Maureen Carroll, Francesco de Angelis, Simon Ellis, Jane Fejfer, Francisca Feraudi-Gruénais, Klaus Fittschen, Lauren Hackworth Petersen, Christopher H. Hallett, Tonio Hölscher, Peter J. Holliday, Natalie Kampen, Michael Koortbojian, Rachel Kousser, Kenneth Lapatin, Roger Ling, Katharina Lorenz, Susanne Muth, Richard Neudecker, Zahra Newby, Massimiliano Papini, Friederike Sinn, Roland R.R. Smith, Michael Squire, Edmund Thomas, Roger J.A. Wilson, Norbert Zimmermann

Roman art has become a valuable object of study, not only for its aesthetic qualities, but as a historical source in its own right. It provides us with insights into Roman self-perceptions, value systems, and ways of perceiving the world that complement information taken from written sources. In this Companion, the reader is introduced through Roman art to the daily Roman world, its preoccupations, and cultural characteristics.

These socio-historical aspects of Roman art require a contextualized approach, which addresses questions such as its physical and topographical contexts (houses and villas, tombs and public spaces, etc.), patronage and intentions, and the reception of art by various groups of viewers and users under various circumstances and conditions. The book includes sections focusing on methodology and approaches, genres, contexts of display and usage of art, and its modern reception and utilization. The authors are a global group of scholars, and their contributions reflect a diverse set of national academic traditions and approaches to our understanding of Roman art.