Offering a new perspective on Iran's politics and culture in the 1960s and 1970s, Ali Mirsepassi challenges the prevailing view of pre-Revolution Iran, documenting how the cultural elites of the Pahlavi State promoted a series of striking 'Gharbzadegi' or 'Westoxification' discourses. Intended as ideological alternatives to modern and Western-inspired cultural attitudes, these influenced Persian identity politics, and projected Iranian modernity as a 'mistaken modernity' despite the regime's own ferocious modernisation programme. Focusing on the cultural transformations which defined the period, Mirsepassi sheds new light on the Pahlavi State as an ideological gambler, inadvertently empowering its fundamentalist enemies and spreading a 'quiet revolution' through secular and religious civil society. Proposing a new theoretical framework for understanding the anti-modern discourses of Ahmad Fardid, Jalal Al-e Ahmad, and Ali Shari'ati, Iran's Quiet Revolution is a radical re-interpretation of twentieth century Iranian political history which makes sense of these events within the creative, yet tragic Iranian nation-making experience.
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Ali Mirsepassi is the Albert Gallatin Research Excellence Professor of Middle Eastern and Islamic studies at Gallatin and in the Department of Middle Eastern and Islamic Studies in the Faculty of Arts and Science at New York University where he is also the director of the Iranian Studies Initiative. He is the author of numerous books including Islam, Democracy, and Cosmopolitanism (Cambridge, 2014), Transnationalism in Iranian Political Thought: The Life and Times of Ahmad Fardid (Cambridge, 2017), Iran's Troubled Modernity: Debating Ahmad Fardid's Legacy (Cambridge, 2018) and co-editor of The Global Middle East series, with Arshin Adib-Moghaddam.
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